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Streamline modern 1930s signed sculpture by Anton Pavlos, of skiers in polychromed cast plaster.
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A signed and dated (1945) oil on canvas entitled “Wild Iris” by Greek American Artist George Constant (1892-1978), in original silver giltwood frame.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
A beautiful teal blown Murano glass ‘Pulcini’ bird designed by Alessandro Pianon for Visitosi, circa 1952-1953 as part of a limited edition.
A pair of Grand Tour architectural obelisks rendered in green and red marble.
Vintage circa 1970's abstract sculpture, created by artist William Bowie in the Brutalist style, is made of rough soldered green-patinated bronze.
A circa 1960's Murano glass sculpture of two birds on a curved branch, green and clear glass, infused 14K gold flecks.
A modern abstract sculpture by an unknown artist, composed of green soapstone, formed and polished into a smooth bulbous shape, mounted on a wooden base. Markings include a label reading [16. Torso Steatite] affixed to the base. Very good overall condition, consistent with age.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
A sculpture depicting an abstract sensual reclining nude in the Brutalist style by an unknown artist, in vibrant green patinated bronze. Very good condition, wear consistent with age and use.
This cubist-style work features a barber's pole within a frenetic mixed media background.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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