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Pair of decorative obelisks, each comprised of tessellated lapis lazuli.
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A vintage bronze sculpture by noted artist Lawrence Fane (1933-2008) and signed "Fane"in bronze. Lawrence Fane was born in Kansas City, Mo. in 1933 and apprenticed under the sculptor George Demetrios. He lived in Rome for a period and traveled Europe before returning to the United States and eventually settling in New York where he exhibited extensively throughout his lifetime and was reviewed by such notable publications as The New York Times, the Wall Street Journal and Art in America, among others. He taught for a time at the Rhode Island School of Design but joined Queens college upon moving to New York and remained part of their faculty from 1966 to 1996 while guest lecturing at Yale, Duke and Boston College, among others. His work tends toward abstraction and many of his pieces are large scale public works. His smaller pieces can be found in galleries and museums throughout the United States. At The Whitney Biennial Exhibition in 2006 he contributed to the Mark di Suvero Peace Tower. He passed away in 2008.
A 20th Century mirrored doric styled single column.
Three framed Op art silkscreen prints in black frames by artist Getulio Alviani, signed.
A vintage Curtis Jere brass pinwheel wall sculpture.
A vintage French sculpture of a flock of geese in flight, produced by Daum, features six geese in glass, each suspended by chrome beams, attached to a flat, rectangular brown leather base.
A decorative shell and canvas tribal helmet mask attributed to the Kuba people of the Congo, c. 20th century or earlier.
A drawing in gouache and charcoal on paper by Panamanian artist Chong Neto, depicting a study of a female nude, back turned and bending down; matted with giltwood frame. Markings include the artist's signature and date [Chong Neto/ '66] to the center right of work. Very good condition, consistent with age.
Decorative African Art ancestral "Lega"multi-faced carved sculpture mounted on a wooden base.
A thought-provoking modernist depiction of the female nude torso, rendered in smooth black marble. Produced during the 20th century by an unknown artist.
A set of five minimalist style lithographs on paper, of contour studies in ink of nude female figures.
A sculpture of a woman by an unknown artist in hand-carved wood, the natural inclusions giving this piece a highly organic, raw appearance. The figure, one hand resting on her chest, the other raised over her head, looks past the viewer's space and into the distance. Despite natural cracking to wood and presence of chips, this sculpture remains in good condition, consistent with age.
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