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Height: 34 in (86 cm) Width: 18 in (46 cm) Depth: 10 in (25 cm)
Late 20th Century
A sculptural head of Bucephalus, horse of Alexander the Great, produced circa 1970s in Greece, resin.
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An african hand-woven rattan disc with dyed black patterns, supported on a metal stand.
1970s Silas Seandel Brutalist wall sculpture, of abstract form, crafted of hand-wrought mixed-metals, with enameled and gilt details.
A Mid-century sculpture of angelfish in tessellated stone, lacquer, and brass, on a fossil stone base.
Silas Seandel style Brutalist sculpture, comprising three stylized stems in mixed-metal on a vintage water pump as base.
A circa 1940's carved and painted wooden mask, inspired by traditional styles used by the Dan People of Liberia and small parts of the Ivory Coast, on a wooden stand.
A Mid-century abstract sculpture in textured bronze, created circa 1960's by D. Angelo, on a black marble base, signed.
Pair of sculptural cats, reminiscent of the Art Modern style with Egyptian influences, glossy black finish, with matte gold details.
This colorful scultpure in acrylic is by contemporary Israeli artist Shlomi Haziza.
A vintage 1980's sculpture of a duo of stringed musicians, by Austin Productions Inc., features the two stylized abstract figures depicted playing the violin and cello, in dense plaster on a black lacquer wooden base.
This 1990's pair of male and female mannequins is clad in white diamond and black diamond paper.
A unique and ambitious rendering of a pair of Futurist styled male and female sculptures, circa 1970’s.
A pair of wooden male and female statues from the ethnic group Ekoi (or Ejagham) of southeast Nigeria and northern Cameroon.
An Alberto Giacometti style vintage bronze sculpture of a mother playfully lifting a child.
A vintage sculpture or diorama with an orchestra of miniature foxes dressed in formal wear playing musical instruments in a forest, and encased in a Lucite pyramid.
A large circa 1980's African Art Ivory Coast (Cote D'Ivorie) 'Spider' Mask', from the Bete tribe. Wood and tacks on metal stand.
Decorative African Art ancestral "Lega"multi-faced carved sculpture mounted on a wooden base.
A Abstract Expressionist bronze sculpture created circa 1960's by Greece-born New York artist George Koras (b. 1925), depicting an abstracted figure of a woman reading.
Cement greyhound sculpture seated on a circular pedestal base.
These obelisks are likely from the 1920's but could possibly be from as early as the late 19th century.
A circa 1970’s pair of sculptural buffalo horns mounted on bases wrapped in faux alligator skin.
Brutalist mixed metal sculpture, in the style of Curtis Jere, representation of a wave with surfer figure, mounted on a raw stone base.
A chrome mid-century car bumper sculpture mounted on wood cube base.
Early 20th century mask, styled after Congo Chokwe tribal headwear, of carved patinated wood, with multicolored beading.
A decorative shell and canvas tribal helmet mask attributed to the Kuba people of the Congo, c. 20th century or earlier.
A surreal kinetic sculpture by contemporary artist Jeremy Leichman. As seen in the artist's 2008 solo exhibition 'Suits,' this piece, titled 'Middle Management' depicts five ceramic male figures in formal work attire, arms and legs splayed in mid-leap, the top figure enabled to spin, attached to a central beam on white base. Very good condition, wear consistent with age and use.
Signed Curtis Jere set of two flower sculptures on quartz bases with metal leaves.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
A pair of modern style slipper chairs, produced circa late 20th century, with cushioned seat and back entirely upholstered in red suede, raised on pedestal swivel circular base in polished chrome.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A pair of circa 1930’s wood bookends with highly detailed alabaster relief carved male faces.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage pair of teak side chairs with white linen seats and cane backs.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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