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50 in.Hx38 in.Wx2 in.D
127 cmHx97 cmWx5 cmD
Oil on Canvas
Mid to Late 20th Century
Ben Austrian (American, 1870–1921) oil on board, signed and dated 1915m depicting an impressionist landscape with lake.
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An abstract painting in black, red, purple and blue on white background. The piece is by American artist Sally Turner and initialed S.T. in the lower right.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
A painting by American Artist Edwin T. Billings (1824-1893), titled “Boy Gazing at Hour Glass”, c. 1875. E.T Billings was a portraitist, having painted William Lloyd Garrison, Daniel Webster, and Oliver Wendell Holmes, Sr.
Pop art oil painting 'Friends' by Beatricia Sagar, signed and dated 1966.
A colorful Op Art oil on canvas painting by Richard M. David, mounted in a black frame.
Large oil on canvas painting by renowned artist George Earl of a St. Bernard named “Tell”. This is one in a series of dog paintings done by the artist. Listed in William Secord’s book “Dog Painting: The European Breeds”. The elaborate frame is finished in gold leaf.
An antique 19th Century oil on board portrait of two dogs by listed French artist C. M. R. Schreiber
A Cubist style portrait by German artist Peter Robert Keil (b. 1942), the oil on paper titled 'Palma' dated 1972
An oil on canvas painting by Rene Schmitt, signed in lower left, depicting a colorful scene of buildings in New York
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
An oil on canvas painting by American artist Mildred Crooks entitled "Lady of the Night"and signed in the upper left corner. Mildred Crooks was born in Chicago in 1899 and worked in commercial arts in Chicago before moving to New York City. She Studied in Paris for a time and had an atelier there as well as in Cannes and exhibited regularly in Paris and New York. She painted throughout her life and exhibited all over the world before passing away in 1972.
An oil on artist's board Expressionist style portrait by German artist Peter Robert Keil (b. 1942), titled "Pablo Picasso with a Hat" dated 1972.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
A Triangle painting by mid-century artist David Barry Lewis.
A 1951 sined oil on canvas of a clown by artist Philip Kran Paval.
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
Produced circa 1960s by Italian artist Remo Farruggio oil on canvas entitled ‘Fantasy,’ depicts a sundry of bright geometric shapes against a mottled, multicolored field.
Assemblage painting; "Flagelation"oil on heavy gessoed arches paper by Ross Neher, an exhibited re-emerging artist.It is authenticated by the artist and signed verso. Reduced from $2400.00
An oil on canvas painting titled "The Jazz Singer"by Belgian artist Frans Siaens. The piece is signed in the lower left.
Alejandro Camarena (Mexican, 1942-2011) oil on canvas, titled “Nina con Jaula” (Girl with a cage)
An oil on poster board Expressionist style portrait by German artist Peter Robert Keil (b. 1942), titled "Trocadero Bar" otherwise "Young Gay Man"
A beautifully rendered portrait in profile entitle “The Artistocrats”, by American artist Stella C. Condon, singed lower right and dated 1913, in a period frame.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
A large-scale Art Deco era Futurist painting, produced circa 1920s, depicting vibrantly colored figures and faces, composed of angular geometric forms, set within an arched frame.
A 1951 sined oil on canvas of a sad clown by Danish-born artist Philip Kran Paval.
John Konstantin Hansegger Columbia County plein air impressionist painiting of a snow scene.
Modern 1950s still life in the Fauvist manner by Dorothy Finley (American, 20th Century), with goblet, pitcher and scattered oranges; signed.
An abstract oil on canvas painting by American artist Jean Sampson. The piece is rendered in pale oranges and deep purples and is dated, signed and titled on the reverse.
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
Expressionist oil on canvas titled “Laugh, Clown” (Agony of a Clown) by American artist Ken Nishi, signed [K. Nishi] and dated 1990 to the lower right corner.
A signed original post-impressionist oil on canvas by artist Marcel Roche (French, 1890-1959), depicting a colorful theatrical couple surrounded by vibrantly rendered flowers. Signed lower left.
Modern 1970s Op-art style door panel by Karras, featuring the number 2 with surrounding linear forms.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
An expressionist oil on board by German artist Peter Robert Keil (b. 1942), titled "Mephisto" dated 1974
A pair of modern style slipper chairs, produced circa late 20th century, with cushioned seat and back entirely upholstered in red suede, raised on pedestal swivel circular base in polished chrome.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A pair of circa 1930’s wood bookends with highly detailed alabaster relief carved male faces.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A vintage pair of teak side chairs with white linen seats and cane backs.
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