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8.5 in.Hx6 in.Wx3 in.D
(22 cmHx15 cmWx8 cmD)
Late 19th Century
A modern abstract sculpture by an unknown artist, depicting a stylistic yoni symbol, crafted of alabaster, mounted on a rich toned wood base. Markings include a label reading [123. Yoni Alabaster] affixed to the base. Very good overall condition, consistent with age.
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Two sculptural shells, crafted of carved and polished alabaster, mounted on a rich toned wooden base, by an unknown artist. This piece remains in very good overall condition, with age appropriate wear.
Produced by American artist Bryan Ross this abstract highly modernistic sculpture with polished carvings of three human visages against a live edged stone.
An abstract sculpture depicting a nude female figure cradling a child. The piece is similar to the works of famed sculptor Jose de Creeft and is signed with the initials MPI. It has been mounted to an ebonized wood base. The piece has age appropriate wear; some scratches to sculpture and base
A circa 1970's modernist sculpture of abstracted and stylized seated female nude figure carved in rouge marble, in the manner of sculptor Claire McArdle.
Pair of decorative obelisks, each comprised of tessellated lapis lazuli.
An abstract coral colored stone sculpture on a revolving base; c. mid 20th century.
A sculpture by an unknown artist, of an abstract female figure with long trailing hair, large folded arms and Minimalist facial features, on a highly simplified body.
A vintage abstract sculpture of a nude torso in black cast stone by Japanese artist Masatoyo Kishi (b. 1924). the piece is signed "Kuki"and numbered 15/100.
A Shona African modernist 1960s sculpture, masterfully hand-carved from marble. Markings include artist's signature [Edmore Makotore] to the bottom of the sculpture.
A modernist rendition of an owl pre-flight, artfully carved in blush-toned marble, circa 1980’s.
A pair of vintage circa 1980's decorative obelisks, produced by Maitland-Smithof, one small and one large, each in gray and colored tessellated marble, topped nwith diamond form finial.
Russian-born artist Bernard Simon (1896-1980) immigrated to the United States as a teenager, where he studied and began his formal fine art career. Works of art by Simon have been exhibited in several American art museums, including the Whitney Museum, and the Museum of Natural History. This wonderful abstract sculpture depicts serene female faces and forms, elegantly carved and polished, emerging from the rough jagged stone, mounted on a black cube base. Markings include the artist’s signature [B. Simon] to the bottom of the sculpture. This art piece remains in excellent vintage condition, wear to base consistent with age.
A modern abstract sculpture by an unknown artist, composed of green soapstone, formed and polished into a smooth bulbous shape, mounted on a wooden base. Markings include a label reading [16. Torso Steatite] affixed to the base. Very good overall condition, consistent with age.
A modern sculpture of a stylistic reclining female torso, produced circa 1960s to 1970s, in carved and polished alabaster. This sculpture remains in very good condition, consistent with age.
A unique abstract sculpture in soft white marble, finely carved and formed to emulate the fluid movement of drapery, tugged up. Markings include the artist's signature [M. Marlow] to the bottom. The sculpture is in very good condition and consistent with age.
A thought-provoking modernist depiction of the female nude torso, rendered in smooth black marble. Produced during the 20th century by an unknown artist.
A pair of Grand Tour architectural obelisks rendered in green and red marble.
A circa 1970s sculpture depicting two otters playing, in hand-carved colored marble, on an attached swivel base.
An modernist sculpture by American artist Germaine Bardet Vuillequez (1912-1999), comprised of pink marble, intricately carved into a twisted abstract form, mounted on a wooden pedestal base. Markings include plaque [Germaine Vuillequez] affixed to the front of the base. Very good condition, consistent with age and use.
Circa 1970's Whimsical interpretation of the classical ‘Roman Centurion’ foot carved in white Italian marble.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A vintage pair of teak side chairs with white linen seats and cane backs.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A pair of circa 1930’s wood bookends with highly detailed alabaster relief carved male faces.
A pair of modern style slipper chairs, produced circa late 20th century, with cushioned seat and back entirely upholstered in red suede, raised on pedestal swivel circular base in polished chrome.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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