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35.5 in.Hx9 in.Wx6.75 in.D
(90 cmHx23 cmWx17 cmD)
Mid 20th Century
A pair of1970's, Americantable lamps in brass with white enamel detailing. The body of each has an abstracted vegetal "leaf"form.
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A pair of sculptural form table lamps, produced circa 1960s, each with stem in polished nickel, surrounded by Lucite, mounted on cube form base.
A 1960's pair of Raymor Bitossi ceramic hand formed and glazed table lamps.
A Mid-Century Modern driftwood lamp in off-white tones, produced circa 1950s.
An artistic pair of table lamps from the 1950’s, with abstract green angular bases each supporting two drum-shaped fiberglass shades.
A pair of circa 1970's-1980's accent table lamps, by the Canadian company Rougier, each feature a large scallop shell lamp shade in frosted acrylic, standing on curved polished brass plated base.
A circa 1960's Italian pagoda lamp, created by Bitossi for Raymor, features iconic 'Rimini Blu' glaze over a textured ceramic surface, and circular black enamel base.
A pair of 1950s architectural form table lamps, attributed to designer Piero Fornasetti, decorated and gold leafed on the reverse side of two glass forms, with black lacquered mounts.
A 1940s Italian art moderne style table lamp in brass and glass, designed in the style of Pietro Chiesa, with curling stylistic stem, including two sockets.
A pair of vintage brushed brass table lamps, produced by Rembrandt Lamps, circa 1960s, with milk glass shades.
This pair of vintage table lamps include single sockets above a bodies styled as feather plumes, evoking neoclassical tastes, in peach toned alabaster, with stepped plinths, mounted on giltwood bases. The lamps remain in very good condition, with age appropriate wear.
A 1950's pair of Egyptian inspired table lamps with hieroglyphic design in ceramic and brass. Marked F.A.I.P. on the base. In a good vintage condition, wear and patina consistent with age.
A pair of vintage table lamps, by ceramicist Gordon Martz circa 1950s, each with single sockets over baluster form ceramic bodies, with matte glazed in swirling tones of blue, brown and cream. Markings include artist's signature [Martz] etched to the bottom of the lamp. Very good vintage condition, with very little wear; height to the top of the porcelain measures 12.5".
A Mid-century Modern table lamp by Blenko Glass features curved, handblown blue glass body on teak base, harp topped with flame finial.
This newly rewired Brutalist table lamp's design was inspired by Paul Evans.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A pair of circa 1960s modernist form table lamps, each crafted of lucite with nickel mounts.
An early 20th century table lamp, converted from an antique architectural element, shaped like a truncated fluted column.
Tall and sculptural pottery lamp in the manner of Mariana von Allesch, with beautiful pigmentation in a celadon and ocres glaze.
A vintage pair of female figural sculptural lamps by Yasha Heifetz; these stunning torso figures in metal over block form pedestal bases, each support a single socket on elongated stem, creating a highly unusual surrealistic appearance. Good condition with some wear to the black bases.
A lovely and rare bronze antique table lamp, with a sculptural base featuring two dachshunds, and an art glass shade in beautiful bright red, early 20th century.
A pair of American modernist table lamps by Jules Bouy, produced, circa 1920s, the architectural skyscraper forms crafted of patinated steel.
Pair of 1950s Barbini Murano glass lamps, with stacked balls, detailed with bullicante bubbles and gold leaf.
A pair of Art Deco style table lamps, designed after the iconic 1928 sculptural lamp 'Clarte' by Max Le Verrier, each depicting a nude female in gold painted plaster, raised on a stepped lily pad base, supporting globe lights.
A solid brass mid-century Italian table lamp with adjustable sliding brass shade, c.1960’s
A Mid-century gilt brass table lamp in Hollywood Regency style features a classically formed stem with a splayed wheat tole on a circular base.
A highly unique pair of table lamps, each composed of a fish fossil, split in half, with brass hardware and mounted on a square, black enameled metal base.
A pair of clear beveled glass lamps, with tapered bodies, on a chrome bases. Good vintage condition, with minimal wear to hardware, consistent with age and use.
A pair of vintage Mid-Century Modern ceramic table lamps, each of rectangular lobed form, with green-mustard glaze, mounted with Lucite
A circa 1940s sculptural form lamp, crafted of Murano glass by Fratelli Toso, with applied foliage decoration, black lacquer base and brass mounts.
Pair of architectural form table lamps, each crafted of stacked Lucite, produced circa 1960s.
A pair of circa 1940s tole lamps in enameled metal, manufactured in Italy, each with their original curved shades, single sockets on bodies comprised of curling leaves and flowers. The lamps remain in overall good vintage condition, minor wear consistent with age and use.
A pair of vintage circa 1980's club or lounge American table lamps, each features a central chrome stem, surrounded by five smoked Lucite panels, joined by two circular supports to the top and bottom, surrounded by a layer of interwoven abstract patterns threading.
A pair of vintage table lamps with speckled blue lava glaze bodies, wood detailing and original burlap shades. They are in overall good vintage condition with age appropriate wear; some spotting and snags to shades commensurate with age and use
Pair of box form table lamps come in torch cut metal designed and manufactured in the Brutalist manner incised and gilded with various simplistic designs.
Vintage circa 1930's to 1940's Italian pair of Industrial style table lamps, each features a single socket, surrounded by four rectangular shades in frosted glass, on a metal base, coated in gold and red enamel.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A pair of modern style slipper chairs, produced circa late 20th century, with cushioned seat and back entirely upholstered in red suede, raised on pedestal swivel circular base in polished chrome.
A vintage pair of teak side chairs with white linen seats and cane backs.
A pair of circa 1930’s wood bookends with highly detailed alabaster relief carved male faces.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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