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HEIGHT: 35 in. (89 cm) DIAMETER: 16.52 in. (42 cm)
Mid century Modern
Mid 20th Century
Mid-Century Modern polished brass lamps from Italy in 'O' shape mounted on Portoro marble bases.
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Set of six Karl Springer faux lizard skin dining chairs in a pale olive color accented with black striations and detail to the skin. Signed, and dated 1983 on a piece of tooled leather attached to the bottom of each chair.
A unique 1920's Egyptian Revival necklace in lapis, clay, silver and faience.
Petite vanity chairs in the Louis XV style, produced early 20th century circa 1900s. Each chair back and cushions are stuffed with feathers and upholstered in off-white silk fabric against gold leaf detailed giltwood frames.
A 1900's pair of ship lanterns retains original red and green lenses.
A Lucite and Brass column floor lamp c.1970’s. Grey finish with Lucite and brass bands.
Birch and blackened iron lounge chairs designed by Charles Eames for Herman Miller in the 1950s.
9 light candelabra style chandelier in brass.
A Japanese carved and gilt wood Buddha figure Amida Nyorai (Buddha Amitabha), 15th C. Sengoku Cypress wood with traces of pigment and lacquer gold leaf. Standing on a lotus and a gold lacquer Zishi . This important masterpiece is exquisitely caved. From the draping of the robes and the beautiful face and head. This important museum quality is a very rare find. This statue of Amida (Sanskrit Amitabha Buddha), the Buddha of the Western Paradise, performs the gesture of teaching (vitarka mudra) with both hands. In East Asia, these gestures signify Amida's welcoming descent from heaven(raigo) to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 12th century and were placed near the deathbed of a devotee so that he or she could see it. The statue has age appropriate wear. There are small chips to the robe's surface and the figure is missing its pinky and index finger.
A circa 1960 - 1970 sputnik chandelier features gilded brass rods extending from a central nucleus, circular pressed glass shades, and rosette brass studs.
A pair of French Art Deco architectural centerpieces with amber and clear mirrored surfaces and a nickel on brass structure.
A pair of midcentury modern end tables or nightstands, made of beautifully grained fine wood, and designed for Janus Collection by John Stuart, circa 1960’s.
Tall buddha statue carved from wood. Depicts a buddha standing atop a lotus flower.
Italian Murano Sommerso glass lamp by Seguso in green and amber.
A burnished brass toned metal and mesh sailboat sculpture, detailed with a ships wheel and rudder. Designed by Curtis Jere, 1970s.
A whimsically artistic occasional table with hand-painted ceramic base depicting a dalmatian resting against a tree branch, topped with glass and made in Italy during the 1960’s.
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
An early skyscraper design lamp designed by American iconic art deco artist Walter Von Nessen in the early 1930's.
Mid-Century Modern 1960s stool in the manner of Dunbar on tapered legs in beech.
Gothic style late 19th century American chandelier, frame cast bronze with griffin motif arms.
Italian Murano art glass vase, 1950s - 1960s, in green to amber ombre, decorated with leaves with gold leaf detail.
A vintage pair of female figural sculptural lamps by Yasha Heifetz; these stunning torso figures in metal over block form pedestal bases, each support a single socket on elongated stem, creating a highly unusual surrealistic appearance. Good condition with some wear to the black bases.
A round wall mirror from Gump's in an Asian inspired Chinese Chippendale style frame.
A vintage photo album of the IVe Grand Prix Automobile Monaco April 1932, comprising 32 photographs and 2 lists
Vanity or small dressing table produced in France during the 19th century.
A custom pendant fixture produced during the mid-20th century, featuring eight textured Murano glass panels layered around a single tier of three sockets with faux candle covers.
A set of newly reupholstered midcentury side chairs, in black steel with charcoal and ivory striped seats.
Martin Eisler and Carlo Hauner 'Costela' or rib chair dating from circa 1950.
Modern three door credenza in a glossy black lacquered body with decorative mirrored panels to the front and sides, framed by intricate fretwork and crescent moons.
Three 1950s German modern style vases, glazed pottery in varied shades of blue and red accents.
A circa 1960s - 1970s Murano glass sculpture of two expressionistic, elongated figures embracing one another, on a cylindrical base, in the style of Seguso.
A hand painted vintage ceramic pitcher depicting a man and woman and baskets of fruit, by La Musa.
Pop Art Diamond-Shaped Sculptural Wall Mirror. The mirror has a mix of circles and one square design, some are convex as well.
Seguso lamp produced in Murano Glass from the 1950s
Sea shells in varied shapes and sizes; all nine have been painted in a silver tone.
Porcelain bisque bowl produced in Germany during the 1970s by Rosenthal Studio, designed by Danish artist Bjorn Wiinblad.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Giacometti table lamps in a matte white finish.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Organic Modern inspired amethyst on stepped silver plate base.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of Barcelona chairs dating from ca.1970.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
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