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HEIGHT: 17.5 in. (44 cm) WIDTH: 12.5 in. (32 cm) DEPTH: 7 in. (18 cm)
Arrangement of fifteen Japanese 19th century Buddhist Temple flowers in lacquered gold.
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Buddhist monk sculpture from Myanmar (previously Burma). Crafted from carved giltwood.
Chinese terracotta sculpture of a horse inspired by the Tang dynasty.
Chinese famille rose porcelain and poly-chrome enamel Hotei Laughing Buddha figure with five boys, probably dating from the Republic Era.
An antique Japanese bronze sculpture depicting an old man with walking staff. The piece dates from the Meiji period (1868-1912).
A Japanese sculpted wood theater mask depicting Okamo, the goddess of happiness.
Japanese Meiji period geisha figure in clay, crafted late 19th – early 20th century.
Japanese court figure in bronzed metal atop a stone base.
Tall buddha statue carved from wood. Depicts a buddha standing atop a lotus flower.
A Japanese decorative porcelain elephant with red and blue vegetal motif blanket detail.
An antique Japanese bronze sculpture of a horse. The piece dates from the Meiji Period.
Japanese pair of Abumi samurai stirrups in wrought iron with ornate inlays of silver and gold, three-leaf family crest on front
A Japanese carved and gilt wood Buddha figure Amida Nyorai (Buddha Amitabha), 15th C. Sengoku Cypress wood with traces of pigment and lacquer gold leaf. Standing on a lotus and a gold lacquer Zishi . This important masterpiece is exquisitely caved. From the draping of the robes and the beautiful face and head. This important museum quality is a very rare find. This statue of Amida (Sanskrit Amitabha Buddha), the Buddha of the Western Paradise, performs the gesture of teaching (vitarka mudra) with both hands. In East Asia, these gestures signify Amida's welcoming descent from heaven(raigo) to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 12th century and were placed near the deathbed of a devotee so that he or she could see it. The statue has age appropriate wear. There are small chips to the robe's surface and the figure is missing its pinky and index finger.
A skillfully carved sculpture of scholars traveling through a mountain, rendered in white jadeite on a wood base.
Sukothai style Thai patinated bronze seated Buddha sculpture with downcast eyes, flaming ushnisha, and elongated ears, depicted in Bhumisparsha mudra.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A pair of 19th century Chinese bronze cloisonne enamel elephant incense burners.
A late Meiji period Japanese Ikebana bleached willow wood vase.
A vintage jade sculpture from China depicting a horse in mid stride.
An intricately carved Chinese white jade sculpture of Shou surrounded by children.
A large 19th century Chinese carved jade mountain with Buddhas, birds and trees. Custom made wooden base. Excellent condition.
Chinese Tang-manner horse sculpture in Sancai-glazed pottery, with left front leg raised.
Japanese Meiji era Iki Ningyo 'Living Doll' manufactured late 19th to early 20th century.
Four beautifully carved wooden sculptures depicting Myanmar monks (formerly Burmese) holding offering bowls. Intricately detailed and finished in red lacquer, these figures were produced during the 20th century.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
Terracotta female Haniwa head produced during the Kofun or Tumulus period in 3rd to 4th century Japan.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A Chinese cast bronze sculpture depicting the deity figure of Lu, god of wealth, holding up a small child and standing next to a foo dog.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
A Japanese Meiji Period late 19th, early 20th Century carved boxwood turtle okimono
A large Chinese bronze figure of a sitting Quan Ying in multicolored cloisonne enamel. Chinese mark on the back.
Japanese Edo period pair of dolls, Emperor and Empress in the Hina Kokin-bina manner.
A Japanese carved paloma wood Okimono of Jurojin (god of longevity with a turtle).
A Japanese Noh theatre sculpted wood mask of Ko-Omote, a young girl.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An antique Louis XIV style console table in untreated wood.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
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