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HEIGHT: 18 in. (46 cm) DIAMETER: 29 in. (74 cm)
Mid 20th Century
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s
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A pair of decorative vases in patinated bronze, made by celebrated Austrian sculptor and founding member of the Vienna Secession Gustav Gurschner
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
Art Deco desk size sculpture in bronze by Rudolph Henn depicting a young boy and squirrel. 1920s.
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
A mid-century torch-cut steel sculpture in brutalist manner.
A Paul Evans style mid-century welded steel Brutalist sculpture.
A Brutalist style sculpture, created by Adolfo Passarella in the 1960's, in patinated bronze, on a square black laminate base, highly abstract, organic and bulbous design. The artist signature and date [PASSARELLA ADOLFO 1966] on the bottom of the sculpture. In very good condition, wear consistent with age and prior use.
Mid-20th century era abstract sculpture by Klaus Ilhenfeld (German, b. 1934-) crafted of bronze.
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The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
This sculpture from the 1960s by Bill Lett depicts a Brutalist style silhouette of a charging bull.
A bronze sculpture of a stylized reclining female torso by celebrated French-born American modernist sculptor Gaston Lachaise (1882-1935)
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
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American Art Deco bronze sculpture by Robert Aitken depicting mother and child. 1920s.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
Art Deco bronze sculpture by Opus-Cellini depicting a female nude from 1930s.
The sculpture is depicting a semi-nude slender girl who plays two flutes at the time to bewitch a snake, wriggling at her feet.
An abstract sculpture of multiple loops in metal. Original patina.
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
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Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
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This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
This free standing sculpture was designed by renowned Curtis Jere in 1977. It is composed of metal birds in flight; mounted on a marble base. This piece has been signed and dated. The piece is in good vintage condition. Reduced From: $1,750
Mid-Century era pair of sculptural Indian elephants, embossed silver sheet.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
A vintage bronze sculpture mounted on black stone base by Brazilian artist Heloisa Dolabella. Her large public works are displayed throughout Rio and other parts of Brazil and she has been exhibited in museums throughout the world. The plaque on the stone base bears the anglicized version of her name
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
A vintage cattail table-top sculpture in patinated brass.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
A pair of Barcelona chairs dating from ca.1970.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Organic Modern inspired amethyst on stepped silver plate base.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
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