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HEIGHT: 17 in. (43 cm) WIDTH: 9 in. (23 cm) DEPTH: 10 in. (25 cm)
Mid 20th Century
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
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Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
A mid-century torch-cut steel sculpture in brutalist manner.
A vintage circa 1980's Kinetic sculpture by artist Dan Murphy with polished sheets in brass and chrome that represent abstract flame, on a Lucite base, with accent lucite sphere. Markings include the artist's signature, [Dan Murphy, 1989] engraved to the base of the chrome sheet. In a very good vintage condition, wear consistent with age.
A bronze sculpture by William J. Sewell of a nude woman. Very good condition, natural patina, signed and dated 1946.
An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
Paul Silvestre limited edition bronze of Leda and the Swan after the original.
A vintage bronze sculpture by noted artist Lawrence Fane (1933-2008) and signed "Fane"in bronze.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
A beautiful bronze sculpture of the head of a smiling Buddha, produced in Myanmar (Burma) in the early to mid 20th century.
A 1970's, vintage decorative sculpture of a Chinese Egret Bird. It has silvered bronze head and legs and a wooden bowl-form body containing a preserved decorative ostrich egg. Made in the United States.
A detailed bronze sculpture by Frederic Remington, titled "Norther" and depicting a man on a horse braving winter weather, signed and placed on a marble base.
Sculpture in a patinated bronze of an academic male nude reclining in neoclassical form , created in Italy circa 1930s by an unknown artist.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Edward J. Walch (b. 1944, American) sculpture in nickel-plated bronze.
An abstract sculpture of multiple loops in metal. Original patina.
A sculpture of an Egyptian funerary mask, possibly French in origin, produced in the early 1900s, with classically rendered bronze face
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
A vintage circular spray-form sculpture in patinated brass on a cylindrical black marble base. The piece is by Curtis Jere.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
A vintage sculpture in bronze depicting two elephants in a landscape. The piece sits on a wood base. It is signed Robert Glen, 1976, 4/10.
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on sculpture.
Modern architectural scale model of the upper section of the spire of New York City's Chrysler Building, cast in aluminum.
A large mid-century modernist style patinated bronze sculpture of a stylized tall female torso.
A Brutalist abstract sculpture made from welded car bumpers by Jason Seley (1919-1983), sculptor and dean of the Cornell University College of Architecture, Art and Planning. Excellent original condition, with some wear of age. Serial number etched in.
Brutalist abstract wall sculpture in welded metal with a gilt patina, created by American sculptor and designer Silas Seandel (b. 1937).
A vintage copper sunburst wall-mounted sculpture made in the 1970's by Curtis Jere.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
Patinated bronze, height 14 1/2 inches and signed L. TUAILLON on the plinth in front of the horse’s left hind hoof.
A Paul Evans style mid-century welded steel Brutalist sculpture.
A vintage circa 1960's abstract sculpture, created by sculptor Lewis Seiler, depicting two highly stylized rounded figures in bronze performing outstanding acrobatic feats, and deftly balanced on a black marble base.
This wall sculpture in the Brutalist Style is made of patinated brass.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
An antique Louis XIV style console table in untreated wood.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
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