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HEIGHT: 17 in. (43 cm) WIDTH: 9 in. (23 cm) DEPTH: 10 in. (25 cm)
Mid 20th Century
This mixed metal Brutalist sculpture by Silas Seandel is torch cut and mounted on wooden base.
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Bruno Giorgi bronze sculpture of a female torso mounted on a black marble base.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
A copper sculpture in Brutalist style of a mother with her child seated on a wooden bench.
Mid-20th century era abstract sculpture by Klaus Ilhenfeld (German, b. 1934-) crafted of bronze.
A vintage Curtis Jere brass pinwheel wall sculpture.
A Brutalist style abstract sculpture in cast aluminum made in the 1960s by DCalvi. Plaque mounted on painted wood base marked 'DCalvi". Great original condition.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
A vintage cattail table-top sculpture in patinated brass.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
A monumental patinated and gilt bronze candelabra (gas lamp), produced circa 1880s by Henri Vian, with a sculptured cherub on an ormolu mounted marble pedestal.
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
Blackened Metal sculpture of the beloved literary character Don Quixote mounted on a white painted base.
Sculpture in a patinated bronze of an academic male nude reclining in neoclassical form , created in Italy circa 1930s by an unknown artist.
Patinated bronze, height 14 1/2 inches and signed L. TUAILLON on the plinth in front of the horse’s left hind hoof.
A Mid-century Modern sculpture of a crane by Curtis Jere, 1978, of nickel plated steel on round base.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
A vintage mixed metal sculpture in the style of Curtis Jere with alabaster base.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
Austrian Jugenstil massive but elegant sculpture, depicting a beautiful Eastern female dancing with a snake is a fine example of the Art Nouveau movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries.
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
This sculpture from the 1960s by Bill Lett depicts a Brutalist style silhouette of a charging bull.
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
A circa 1970’s copper sculpture depicting eucalyptus branches, anchored on a rock base.
This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
A cast iron fountain with a standing next to an urn that is tipping slightly as well as two identical putti, each seated atop a spherical plinth.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
Contemporary modern sculpture 'Vigilance' depicting a lion in bronze by Rosetta, dated 1996.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Giacometti table lamps in a matte white finish.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Organic Modern inspired amethyst on stepped silver plate base.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A pair of Barcelona chairs dating from ca.1970.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
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