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HEIGHT: 34 in. (86 cm) DIAMETER: 11 in. (28 cm)
Mid 20th Century
A Mid-century architectural 'crane' floor lamp by Curtis Jere.
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A Black Starr and Frost platinum diamond watch from the 1910s. With platinum and yellow gold Y-double chain necklace (23").
A unique brushed chrome light fixture, designed in the Space Age style, features four tube shaped 'telescope' arms of varying lengths, each with adjustable mirrored lenses, to alter projection.
A vintage letter holder in brass.
Expressionist oil on poster board 'Mephisto' by Peter Keil (German, b. 1942)
A pair of horseshoe shaped bookends in shiny brass.
A 19th century French bergère wingback armchair in Louis XVI style.
Art glass vase crafted in rich amber with white swirl accents.
A carved wood sculpture of multiple interconnected feet, carved by Jose de Creeft around the 1930s-1940s in the Mexican School Style.
A Murano glass bowl in fiery orange in voluptuous flower shape.
French 1930s Art Deco pair of tub chairs, round frames in mahogany
Art Deco vanity crafted in France with long central mirror mounted on casters.
Mid-century modern 1950s ring chandelier by Alvin Lustig for Lightolier, in metal with white enamel.
Amethyst Murano Glass 'Sommerso' Vase in teardrop form with elongated lip, the interior in amethyst, cased in a clear glass layer.
An Italian six light Murano glass chandelier c. 1900's, with unusual gold-flecked tulips design.
A polished chrome arc floor lamp with round chrome shade, Mid-century c. 1970’s.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
A round wall mirror for the mid-20th century, framed in textured resin inset with 10 backlights, creating a dramatic affect when lit.
Two leaf form shades in white striped Murano glass, produced in the 1970s supported by a round back plate in brass. Each leaf measures 19"high, 9.5"wide
Vintage four panel Japanese screen, circa 1950s, depicting flower filled cart.
A 1950's 18K yellow gold and platinum fruit brooch or pendant with pave diamonds and pave emeralds.
Modern abstract 1973 portrait 'My Friend Pablo Picasso' by Peter Keil, oil in tones of grey
This circular bar cart by the Design Institute of America (DIA), comes in black lacquered wood, with three-tiers of revolving shelves, surrounding a central pole with round handle, on casters. Markings include label [Design Institute of America Inc., 1984 / DIA] beneath the lowest shelf. Excellent vintage condition, consistent with age and use.
A modernistart deco table lamp byOscar Bach, producedcirca 1920s,with octagonal form body, crafted of patinated brass, silver and verdigris patina. Markings include signature [Oscar B Bach] stamped to applied tag.
A elegant Danish bar cart that folds, crafted in teak.
Hollywood Regency 1960s eight-arm chandelier, featuring pineapple on gilt tole leaves
Victorian 1880s pair of brass picture frames, detailed with acanthus scrollwork.
Danish Modern pair of teak end and side tables, crafted 1960s by Povl Dinesen, featuring floating tops.
Scarab bracelet with blue iridescent enamel and gold markings with rhino horn look of black enamel and pave. Extension with side clasp closure, 3 links with perm curve.
(This company also makes 14k and precious stone objects)
A pair of Art Deco horse bookends in metal with ceramic glaze. Excellent condition.
A rectangular wall mirror in a black painted frame.
A beautiful sculptural pair of clear glass Modernist table lamps on brass bases, 20th century.
Circa 1950's pair of Sky blue Murano glass table lamps with gold flecks sits on gold leaf wooden bases.
A vintage pair of Italian clear faceted glass wall-mounted lights
A vintage pen and pencil set made by the Sheaffer Pen Corporation.
A pair of Barcelona chairs dating from ca.1970.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Organic Modern inspired amethyst on stepped silver plate base.
Giacometti table lamps in a matte white finish.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
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