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Measurements of standing reindeer: 33" H x 16" L x 4.5" W. Measurements of feeding reindeer: 23" H x 30" L x 3.5" W.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
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Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
A vintage large brass sculpture of a sitting panther possibly looking at its prey. Sculpture is in good vintage condition with some wear and stains to brass as well as small scratches and nicks to the surface.
This free standing sculpture was designed by renowned Curtis Jere in 1977. It is composed of metal birds in flight; mounted on a marble base. This piece has been signed and dated. The piece is in good vintage condition. Reduced From: $1,750
This mixed metal Brutalist sculpture by Silas Seandel is torch cut and mounted on wooden base.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat. T
A Brutalist open work iron sculpture of a woman on a wooden base.
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
A silver over bronze modernist figurative statue, in the style of Ernest Trova, c. mid 20th century, depicting a nude, arched, standing male gracefully balancing a kneeling nude female his torso.
Mid Century lifelike brass hanging sculpture of a longhorn steer skull, c. 1960's.
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
A sculpture by artist Gerald Fellman, circa 1970s depicting two female figures in bronze, one consoling the other with incised details, mounted on a rotating wooden base. Markings include the artist's signature [G. Fellman] to the bronze base. This piece remains in very good vintage condition, wear to base consistent with age and use.
A sculpture depicting an abstract sensual reclining nude in the Brutalist style by an unknown artist, in vibrant green patinated bronze. Very good condition, wear consistent with age and use.
A modernist flat sculpture, depicting the Greek mythological beast the Minotaur abducting a struggling maiden. This art piece is comprised of cut and reshaped aluminum, set against a wooden back. Very good condition, with age appropriate wear.
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
A sculptural 1940s fountain in bronze, originating from Europe, depicting a snake, coiled around a cabbage rose, and poised to strike, water intended to project from it's mouth, imitating venom. Very good vintage condition, patina consistent with age and use.
A monumental patinated and gilt bronze candelabra (gas lamp), produced circa 1880s by Henri Vian, with a sculptured cherub on an ormolu mounted marble pedestal.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
Modern abstract sculpture from the Mid-Century era, portraying a group of three figures, possibly a family, in rough patinated bronze.
A vintage sculpture in bronze depicting two elephants in a landscape. The piece sits on a wood base. It is signed Robert Glen, 1976, 4/10.
A Mid-century Modern sculpture of a crane by Curtis Jere, 1978, of nickel plated steel on round base.
A Paul Evans style mid-century welded steel Brutalist sculpture.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
A bronze sculpture by William J. Sewell of a nude woman. Very good condition, natural patina, signed and dated 1946.
Midcentury metal sculpture of a tree surrounded by three large mushrooms with a small green frog.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
A mid-century bronze sculpture depicting an Egyptian styled cat.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A pair of modern style slipper chairs, produced circa late 20th century, with cushioned seat and back entirely upholstered in red suede, raised on pedestal swivel circular base in polished chrome.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A vintage pair of teak side chairs with white linen seats and cane backs.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
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