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Building #1: 19 1/2" x 3" Building #2: 17" x 5 1/2" Building #3: 11 1/4" x 2" Building #4: 10" x 2 1/4" Building #5: 5 1/4" x 4 1/4"
Mid to Late 20th Century
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
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This mixed metal Brutalist sculpture by Silas Seandel is torch cut and mounted on wooden base.
A mid-century torch-cut steel sculpture in brutalist manner.
A vintage large brass sculpture of a sitting panther possibly looking at its prey. Sculpture is in good vintage condition with some wear and stains to brass as well as small scratches and nicks to the surface.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
A vintage mixed metal sculpture in the style of Curtis Jere with alabaster base.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
Two-dimensional sculpture in the modern manner, depicting a maiden abducted by the minotaur.
A vintage Curtis Jere brass pinwheel wall sculpture.
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
A bronze sculpture by William J. Sewell of a nude woman. Very good condition, natural patina, signed and dated 1946.
A 1970’s posthumously cast bronze sculpture of a voluptuous female torso by Aristide Maillol (French, 1861-1944).
The sculpture is depicting a semi-nude slender girl who plays two flutes at the time to bewitch a snake, wriggling at her feet.
Blackened Metal sculpture of the beloved literary character Don Quixote mounted on a white painted base.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
A Brutalist abstract sculpture in iron on a wooden base in the style of artist Louise Bourgeois.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
A cast iron fountain with a standing next to an urn that is tipping slightly as well as two identical putti, each seated atop a spherical plinth.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
A vintage cattail table-top sculpture in patinated brass.
A Japanese Meiji-era finely cast bronze sculpture of a mythical guardian of the sea
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
A brass sculpture, influenced by Miao Hook tribal talismans of China.
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
A circa 1990's modern abstract sculpture, created by Curtis Jere, composed of dual sheets of brushed and polished steel, rendered into swirling 'ribbon' shapes, raised on a cylindrical black iron floor stand.
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
A silver over bronze modernist figurative statue, in the style of Ernest Trova, c. mid 20th century, depicting a nude, arched, standing male gracefully balancing a kneeling nude female his torso.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Giacometti table lamps in a matte white finish.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of Barcelona chairs dating from ca.1970.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Organic Modern inspired amethyst on stepped silver plate base.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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