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Building #1: 19 1/2" x 3" Building #2: 17" x 5 1/2" Building #3: 11 1/4" x 2" Building #4: 10" x 2 1/4" Building #5: 5 1/4" x 4 1/4"
Mid to Late 20th Century
Patinated bronze, height 14 1/2 inches and signed L. TUAILLON on the plinth in front of the horse’s left hind hoof.
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An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
Mid Century lifelike brass hanging sculpture of a longhorn steer skull, c. 1960's.
A vintage circa 1960's abstract sculpture, created by sculptor Lewis Seiler, depicting two highly stylized rounded figures in bronze performing outstanding acrobatic feats, and deftly balanced on a black marble base.
Contemporary modern sculpture 'Vigilance' depicting a lion in bronze by Rosetta, dated 1996.
American Art Deco bronze sculpture by Robert Aitken depicting mother and child. 1920s.
A Brutalist style abstract sculpture in cast aluminum made in the 1960s by DCalvi. Plaque mounted on painted wood base marked 'DCalvi". Great original condition.
An aluminum abstract sculpture signed by mid-century artist Chris Petersen, c.1970’s.
Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Brutalist 1970s abstract wall sculpture designed in the Silas Seandel manner
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
Candelabra in the form of curling vines in gold gilt iron including eleven illuminated flowers.
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
A vintage Curtis Jere brass pinwheel wall sculpture.
A silver over bronze modernist figurative statue, in the style of Ernest Trova, c. mid 20th century, depicting a nude, arched, standing male gracefully balancing a kneeling nude female his torso.
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
A Paul Evans style mid-century welded steel Brutalist sculpture.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
Sculpture in a patinated bronze of an academic male nude reclining in neoclassical form , created in Italy circa 1930s by an unknown artist.
Organic Modern inspired amethyst on stepped silver plate base.
A Japanese Meiji bronze vase with an exceptionally detailed applied cast alligator.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
Blackened Metal sculpture of the beloved literary character Don Quixote mounted on a white painted base.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A copper tree sculpture, mid-century, c. 1970’s in the manner of Curtis Jere.
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
Bruno Giorgi bronze sculpture of a female torso mounted on a black marble base.
A vintage bronze sculpture mounted on black stone base by Brazilian artist Heloisa Dolabella. Her large public works are displayed throughout Rio and other parts of Brazil and she has been exhibited in museums throughout the world. The plaque on the stone base bears the anglicized version of her name
A vintage large brass sculpture of a sitting panther possibly looking at its prey. Sculpture is in good vintage condition with some wear and stains to brass as well as small scratches and nicks to the surface.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of Barcelona chairs dating from ca.1970.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
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