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HEIGHT: 14 in. (36 cm) WIDTH: 11 in. (28 cm) DEPTH: 5.5 in. (14 cm)
Early 20th Century
A Mid-century acrylic box optic light sculpture signed and dated by Neal Small, 1969, constructed with acrylic sheets suspended to form a prism within the light box base.
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An intricately carved Chinese white jade sculpture of Shou surrounded by children.
Oded Halahmy sculpture titled 'Hopeful Lights for Peace' produced in bronze cast.
An antique Japanese bronze sculpture depicting an old man with walking staff. The piece dates from the Meiji period (1868-1912).
Abstract modern 1990s African 'Shona' sculpture, signed Edmore Makotore, in black marble.
This copper sunburst wall sculpture is inspired by Curtis Jere designs.
Oded Halahmy sculpture titled 'Omer Shalom Oseh Shalom' crafted in cast aluminum and bronze.
A cast bronze depiction of the head of King Sargon, ruler of the Iraqi Akkadian Empire. Cast in the late 20th century.
An abstract limestone sculpture on a base of welded steel. Very good original condition. Indoor/outdoor use. Made by a Japanese artist in the U.S., unsigned, was part of an important sculpture collection.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
Modern bronze and cast aluminum menorah by Oded Halahmy, titled 'Archway Holding Palm', created in 2010.
Modern bronze and cast aluminium menorah by Oded Halahmy, titled 'Peace Shalom Salaam (Study)', created in 1997.
A modern pair of bronze sculptures of a duo of dancers in movement, sculpted in an Expressionist figurative manner and fixed atop circular bronze bases.
A bronze sculpture by Edward J. Walsh (b. 1944, American) of a figurative sculpture stretching her arms, atop a white marble base.
Oded Halahmy sculpture study titled 'Happy Frond Lighting' in aluminum cast.
An elegant modernist sculpture of a robed standing female, carved in unstained wood, and attributed to Albert Wein (American, 1915-1991).
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
A French Art Deco glazed ceramic sculpture designed for Etling, Paris by master sculptor Alexandre Kelety and ceramicist Marcel Guillard.
Surrealist Daum sculpture by Salvador Dali, depicting a melting clock in pate de verre glass.
Murano glass sculpture of a boy in a turban, standing on a base, hand-blown in multicolored glass, with the inclusion of gold flecks. Signed ‘Gino Cenedese’ on the bottom.
A Brutalist radiating spoke wall sculpture with round mirror centre in burnished brass toned metal.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
A 1940s Modernist sculptural "machine" with clear Lucite gears and case on a metal base.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
Majolica toucan sculpture produced during the 1950s in Italy.
A sculpture by an unknown artist, of an abstract female figure with long trailing hair, large folded arms and Minimalist facial features, on a highly simplified body.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
A detailed bronze sculpture by Frederic Remington, titled "Norther" and depicting a man on a horse braving winter weather, signed and placed on a marble base.
A bronze abstract Brutalist sculpture created by Mexican artist and designer Gunther Gerzso (1915-2000) in the 1980s in Mexico.
A wooden ram sculpture covered in real rams wool with a Composite face with glass eyes and faux horns.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
Wall sculpture in the Brutalist manner, signed (illegibly) and dated 1975, of abstract form, crafted of mixed metals.
Brutalist style sculpture of a standing giraffe made of welded metal pieces.
A Mid-century abstract sculpture in textured bronze, created circa 1960's by D. Angelo, on a black marble base, signed.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
An antique Louis XIV style console table in untreated wood.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
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