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HEIGHT: 21 in. (53 cm)
Late 19th to Early 20th Century
Mid-Century era pair of sculptural Indian elephants, embossed silver sheet.
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Japanese pair of Abumi samurai stirrups in wrought iron with ornate inlays of silver and gold, three-leaf family crest on front
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
Chinese terracotta sculpture of a horse inspired by the Tang dynasty.
A Chinese bronze sculpture of a Buddha in a seated position. The piece is in great vintage condition.
Chinese late 19th century bronze foo dog sculpture repurposed as a lamp, on base in ebonized wood.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A Japanese decorative porcelain elephant with red and blue vegetal motif blanket detail.
Pair of Japanese Edo period 'Musha Ningyo' or 'Warrior Dolls' of a samurai with an attendant.
Japanese Meiji period Art Nouveau bronze ikebana vessel or decorative bowl in shape of a leaf
Japanese court figure in bronzed metal atop a stone base.
Tall buddha statue carved from wood. Depicts a buddha standing atop a lotus flower.
Hand carved and hand painted wood Balinese Barong dance mask of an ornate colorful mythological creature.
A pair of Sculptural Japanese Foo Dogs made of Oribe porcelain from the late Edo Period. Good condition with age appropriate wear.
Early 20th century Chinese model of a battleship in mixed-metals, on a carved wood stand.
Bronze Antique Burmese (Myanamar) Sculpture of Bell Ringers. Good vintage condition with age appropriate patina
A Japanese carved paloma wood Okimono of Jurojin (god of longevity with a turtle).
A Japanese sculpted Noh Theater wooden mask depicting Saru the monkey.
A pair of Japanese carved wooden temple figures in the form of lions seated in traditional pose. The pieces have had some conservation and restoration to stabilize them.
Chinese Tang-manner horse sculpture in Sancai-glazed pottery, with left front leg raised.
A rare Kyogen theater mask from the Japanese Edo Period, depicting a Nio Guardian King, 19th century, brilliantly carved and layered in oyster shell lacquer.
Chinese famille rose porcelain and poly-chrome enamel Hotei Laughing Buddha figure with five boys, probably dating from the Republic Era.
Pair of antique sculptural earthenware ducks, of Asian origin, each polychrome glazed.
A rare Edo period (17th century/18th century) Japanese lion mask for the Gion Festival.
Buddhist monk sculpture from Myanmar (previously Burma). Crafted from carved giltwood.
A pair of vintage Chinese horse-form incense holders in brightly colored cloisonne.
Square Japanese Sake Bottle finely detailed with a hand painted Fish.
A large Chinese bronze figure of a sitting Quan Ying in multicolored cloisonne enamel. Chinese mark on the back.
Chinese Soapstone Carving of a Buddhist Mountain Scene, 20th Century. With a wooden base titled, "The Boulder." .
A late Meiji period Japanese Ikebana bleached willow wood vase.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
Arrangement of fifteen Japanese 19th century Buddhist Temple flowers in lacquered gold.
Japanese Meiji period pair of gamecocks, early 1900s, in bronze with silver gilt finish.
Japanese Meiji period lacquered sculpted wood Buddha figure seated on an elaborately carved lotus throne with a mandorla in the back.
A Japanese carved and gilt wood Buddha figure Amida Nyorai (Buddha Amitabha), 15th C. Sengoku Cypress wood with traces of pigment and lacquer gold leaf. Standing on a lotus and a gold lacquer Zishi . This important masterpiece is exquisitely caved. From the draping of the robes and the beautiful face and head. This important museum quality is a very rare find. This statue of Amida (Sanskrit Amitabha Buddha), the Buddha of the Western Paradise, performs the gesture of teaching (vitarka mudra) with both hands. In East Asia, these gestures signify Amida's welcoming descent from heaven(raigo) to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 12th century and were placed near the deathbed of a devotee so that he or she could see it. The statue has age appropriate wear. There are small chips to the robe's surface and the figure is missing its pinky and index finger.
This Musha Ningyo (Boys' Day Figure) is very rare for its size.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
An antique Louis XIV style console table in untreated wood.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
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