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HEIGHT: 27 in. (69 cm) DIAMETER: 7 in. (18 cm)
Barovier and Toso
Mid 20th Century
Francois Carre Art Deco garden settee with bubble form seats in metal.
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A vintage Barritt-Serviss Star and Planet Finder for the Northern Hemisphere, made in 1906 in the United States. Good condition with some wear to paper.
Roberta Di Camerino black jacquard handbag with unusal gold-tone hardware. Gold company "R" monogram on bottom corner. Stamp on interior reads [Made in Italy by "Roberta di Camerino"] [Leather Lined]
A unique brushed chrome light fixture, designed in the Space Age style, features four tube shaped 'telescope' arms of varying lengths, each with adjustable mirrored lenses, to alter projection.
Scarab bracelet with blue iridescent enamel and gold markings with rhino horn look of black enamel and pave. Extension with side clasp closure, 3 links with perm curve.
(This company also makes 14k and precious stone objects)
A circa 1970's modernist sculpture of abstracted and stylized seated female nude figure carved in rouge marble, in the manner of sculptor Claire McArdle.
Midcentury tufted black leather seat on rounded chrome legs.
A vintage enameled plate with a motif inspired by the works of Jules Vieillard.
Antique Italian 1910s desk in the Rococo manner, of walnut oyster burl, serpentine top on cabriole legs
A pair of Jens Risom floating nesting tables.
Chinoiserie pot crafted in porcelain.
A current production chrome and faux tortoise shell lamp with cream silk shade.
A religious pendant in shape of a medal depicting Saint Jude Thaddeus.
A tall chrome table lamp made up of four panels with a square chrome finished shade.
A 1960s sectional living room set, created by George Nelson for Herman Miller, includes a four seat sofa and two seat bench, in blue vinyl upholstery, on a white enameled metal frame, with attached side table.
Adrian Pearsall for Craft Associates model 990-LC lounge chair with ottoman.
A pair of James Mont style etched brass lamps with Asian inspired motif and granite base, 20th Century.
A vintage ceramic decorative Chinese ginger vase, with traditional blue and white floral motif and topped with acorn finial.
Marbro table lamps made of porcelain vases from the Chinese Republic.
Vintage Tiffany & Co. brooch in the shape of a floral bouquet crafted in 18k yellow gold, enamel and diamonds.
A vintage pendant light by designer Jorn Utzon in blue with a white interior. Wiring and sockets to US standard. Very good condition, consistent with age and use.
A unique ring with an animal taxidermy eye held in sterling silver hands.
A French pewter ice bucket in the shape of a bulldog with bright Green Glass Eyes
A signed Murano glass sculpture of a seated youth figure on oval frosted glass platform base, created circa 1980's by artist Renato Anatra.
Pair of 1960s-1970s executive swivel chairs by Charles and Ray Eames for Herman Miller, with black vinyl upholstery.
This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
Modern 1970s lamp with articulated brass stem mounted on Lucite panels.
This round bar cart, manufactured in the United States, circa 1970s, comes with tubular chrome frame on four casters, with semicircle handle over two tops in smoked glass, the bottom with central ring to enable two levels to swivel. Despite minor presence of age appropriate wear to chrome finish and casters, as well as minuscule scratches to original glass, the cart remains in very good vintage condition. At full extension, bar cart measures 42.75".
Standing reading lamp with industrial design and adjustable neck.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
American 1940s brass chandelier in the Empire style, featuring swan motif arms.
Expressionist portrait "The Blue Lady" oil paint on poster board by Peter Keil (German, b. 1942), signed and dated 1985.
A circa 1970’s Brutalist wall sculpture, comprised of mixed metal leaves against a background of artistically arranged welded nails.
Maitland Smith side table designed to look like a stack of books titled 'The History of Furniture.'
A neoclassical style wrought iron frame chandelier with rock crystal pendants and carved crystal apples and pears.
Mid-century Modern brass lamp by Laurel Lamp Company.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
An antique Louis XIV style console table in untreated wood.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
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