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Sight: 14" H x 11" W.
Framed: 19" H x 16" W x 1.3" D.
Oil on Board
Early 20th Century
A signed and dated (1945) oil on canvas entitled “Wild Iris” by Greek American Artist George Constant (1892-1978), in original silver giltwood frame.
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This signed painting by Francis Speight (American) is done in an Expressionist style.
A signed original post-impressionist oil on canvas by artist Marcel Roche (French, 1890-1959), depicting a colorful theatrical couple surrounded by vibrantly rendered flowers. Signed lower left.
An abstract painting in black, red, purple and blue on white background. The piece is by American artist Sally Turner and initialed S.T. in the lower right.
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
Expressionist oil on poster board 'Mephisto' by Peter Keil (German, b. 1942)
1900s oil painting by Carleton Wiggins depicting an impressionist landscape with sheep grazing
Expressionist manner signed oil painting titled 'Laugh, Clown' a.k.a. 'Agony of a Clown' by Ken Nishi.
A 1951 sined oil on canvas of a sad clown by Danish-born artist Philip Kran Paval.
Signed still life by American artist John F. Folinsbee (American, 1892-1972), produced 1960s, featuring a blue pitcher with flowers.
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
Brazilian 1960s abstract expressionist oil painting on board by Antonio Dias (Brazilian/German, b. 1944).
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
Signed cubist manner portrait 'Palma' in oil by Peter Keil (b. 1942)
Abstract modern 1974 portrait 'Impressionen Palma' by Peter Keil (German, b. 1942); signed
Modern abstract 1973 portrait 'My Friend Pablo Picasso' by Peter Keil, oil in tones of grey
An antique 19th Century oil on board portrait of two dogs by listed French artist C. M. R. Schreiber
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
A unsigned oil on canvas painting in the Abstract Expressionist style; painted on the back in the artist's original simple nailed wood frame
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
An oil on canvas painting by American artist Mildred Crooks entitled "Lady of the Night"and signed in the upper left corner. Mildred Crooks was born in Chicago in 1899 and worked in commercial arts in Chicago before moving to New York City. She Studied in Paris for a time and had an atelier there as well as in Cannes and exhibited regularly in Paris and New York. She painted throughout her life and exhibited all over the world before passing away in 1972.
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
A beautifully rendered portrait in profile entitle “The Artistocrats”, by American artist Stella C. Condon, singed lower right and dated 1913, in a period frame.
Mid-20th century oil in the Impressionist manner by artist Henryk Dzienczarski, depicting boys playing in a cave
An oil on canvas painting titled "The Jazz Singer"by Belgian artist Frans Siaens. The piece is signed in the lower left.
John Konstantin Hansegger oil painting of a rooster; c 1950’s.
Expressionist style oil painting "Christ Doomed" signed and dated 1959 by Joachim Probst (1913 - 1980)
Produced circa 1960s by Italian artist Remo Farruggio oil on canvas entitled ‘Fantasy,’ depicts a sundry of bright geometric shapes against a mottled, multicolored field.
A Triangle painting by mid-century artist David Barry Lewis.
Signed and dated oil on board expressionist painting 'Small Devil' by Peter Robert Keil (b. 1942).
John Konstantin Hansegger Columbia County plein air impressionist painiting of a snow scene.
Modern signed Cubist painting in oil by Peter Keil, 'Abstract Face' dated 1975
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
Assemblage painting; "Flagelation"oil on heavy gessoed arches paper by Ross Neher, an exhibited re-emerging artist.It is authenticated by the artist and signed verso.
This signed portrait of a man by Harry Elsas from the 20th Century in a gilded frame.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A vintage pair of teak side chairs with white linen seats and cane backs.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
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