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HEIGHT: 8.5 in (22 cm) WIDTH: 10.5 in (27 cm) DEPTH: 2.75 in (7 cm)
Mid 20th Century
A vintage bronze sculpture mounted on black stone base by Brazilian artist Heloisa Dolabella. Her large public works are displayed throughout Rio and other parts of Brazil and she has been exhibited in museums throughout the world. The plaque on the stone base bears the anglicized version of her name
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A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
A Mid-century Modern sculpture of a crane by Curtis Jere, 1978, of nickel plated steel on round base.
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
A Brutalist abstract sculpture made from welded car bumpers by Jason Seley (1919-1983), sculptor and dean of the Cornell University College of Architecture, Art and Planning. Excellent original condition, with some wear of age. Serial number etched in.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
A Japanese Meiji-era finely cast bronze sculpture of a mythical guardian of the sea
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
A copper tree sculpture, mid-century, c. 1970’s in the manner of Curtis Jere.
Vintage Brutalist manner sculptural owl by Curtis Jere in patinated mixed-metals, signed and dated 1968.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
Art Deco desk size sculpture in bronze by Rudolph Henn depicting a young boy and squirrel. 1920s.
A vintage circa 1960's abstract sculpture, created by sculptor Lewis Seiler, depicting two highly stylized rounded figures in bronze performing outstanding acrobatic feats, and deftly balanced on a black marble base.
A 1970’s posthumously cast bronze sculpture of a voluptuous female torso by Aristide Maillol (French, 1861-1944).
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
A vintage sculpture in bronze depicting two elephants in a landscape. The piece sits on a wood base. It is signed Robert Glen, 1976, 4/10.
A vintage cattail table-top sculpture in patinated brass.
A 1970's, vintage decorative sculpture of a Chinese Egret Bird. It has silvered bronze head and legs and a wooden bowl-form body containing a preserved decorative ostrich egg. Made in the United States.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
A pair of decorative vases in patinated bronze, made by celebrated Austrian sculptor and founding member of the Vienna Secession Gustav Gurschner
A DeMott signed burnished metal sculpture of a sailboat on a quartz base, 20th century.
Stainless steel & aluminum sculpture of a futuristic racing car by a known American artist, Daniel Fiorda; namely, from his series " Heavy Toys", where speed is reflected in the form of children’s toys that have been adapted to the adult psyche.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
A beautiful bronze sculpture of the head of a smiling Buddha, produced in Myanmar (Burma) in the early to mid 20th century.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
Organic Modern inspired amethyst on stepped silver plate base.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A pair of Barcelona chairs dating from ca.1970.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Giacometti table lamps in a matte white finish.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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