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HEIGHT: 16.5 in. (42 cm) WIDTH: 21 in. (53 cm) DEPTH: 5 in. (13 cm)
Early 20th Century
An antique Japanese bronze sculpture depicting an old man with walking staff. The piece dates from the Meiji period (1868-1912).
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Arrangement of fifteen Japanese 19th century Buddhist Temple flowers in lacquered gold.
A pair of Japanese carved wooden temple figures in the form of lions seated in traditional pose. The pieces have had some conservation and restoration to stabilize them.
Early 20th century Chinese model of a battleship in mixed-metals, on a carved wood stand.
Pair of Japanese Edo period 'Musha Ningyo' or 'Warrior Dolls' of a samurai with an attendant.
Pair of antique sculptural earthenware ducks, of Asian origin, each polychrome glazed.
A Japanese decorative porcelain elephant with red and blue vegetal motif blanket detail.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
Sculpture of the Laughing Buddha Ho Tai carved in wood.
Square Japanese Sake Bottle finely detailed with a hand painted Fish.
Four beautifully carved wooden sculptures depicting Myanmar monks (formerly Burmese) holding offering bowls. Intricately detailed and finished in red lacquer, these figures were produced during the 20th century.
An antique Japanese bronze sculpture of a horse. The piece dates from the Meiji Period.
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
A late Meiji period Japanese Ikebana bleached willow wood vase.
A pair of 19th century Chinese bronze cloisonne enamel elephant incense burners.
A large 19th century Chinese carved jade mountain with Buddhas, birds and trees. Custom made wooden base. Excellent condition.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A large Chinese bronze figure of a sitting Quan Ying in multicolored cloisonne enamel. Chinese mark on the back.
Japanese Edo period pair of dolls, Emperor and Empress in the Hina Kokin-bina manner.
A vintage jade sculpture from China depicting a horse in mid stride.
A Japanese Meiji Period late 19th, early 20th Century carved boxwood turtle okimono
Burmese wood carving depicting a sculptural horse head, produced within the 19th century.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
Produced around the late 19th century, this Chinese stone grinding wheel or millstone, is displayed on a beautiful iron decorative stand.
An antique Japanese comic demon mask, Edo Period (1603 - 1868) c. 19th Century. This rare Buaku Kyogen mask was used in short, humorous skits within the Noh Dramas.
Chinese Soapstone Carving of a Buddhist Mountain Scene, 20th Century. With a wooden base titled, "The Boulder." .
Sculpture of a Monkey holding a peach and her infant; representing long life, nobility and prosperity.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of vintage Chinese horse-form incense holders in brightly colored cloisonne.
An intricately carved Chinese white jade sculpture of Shou surrounded by children.
This Musha Ningyo (Boys' Day Figure) is very rare for its size.
Terracotta female Haniwa head produced during the Kofun or Tumulus period in 3rd to 4th century Japan.
A Japanese carved and gilt wood Buddha figure Amida Nyorai (Buddha Amitabha), 15th C. Sengoku Cypress wood with traces of pigment and lacquer gold leaf. Standing on a lotus and a gold lacquer Zishi . This important masterpiece is exquisitely caved. From the draping of the robes and the beautiful face and head. This important museum quality is a very rare find. This statue of Amida (Sanskrit Amitabha Buddha), the Buddha of the Western Paradise, performs the gesture of teaching (vitarka mudra) with both hands. In East Asia, these gestures signify Amida's welcoming descent from heaven(raigo) to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 12th century and were placed near the deathbed of a devotee so that he or she could see it. The statue has age appropriate wear. There are small chips to the robe's surface and the figure is missing its pinky and index finger.
Japanese Meiji era Iki Ningyo 'Living Doll' manufactured late 19th to early 20th century.
Japanese Meiji period geisha figure in clay, crafted late 19th – early 20th century.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of Barcelona chairs dating from ca.1970.
Organic Modern inspired amethyst on stepped silver plate base.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
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