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HEIGHT: 23 in. (58 cm) WIDTH: 6 in. (15 cm) DEPTH: 18 in. (46 cm)
A. Torneman & David Rosen
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
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A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
Modern abstract sculpture from the Mid-Century era, portraying a group of three figures, possibly a family, in rough patinated bronze.
A cast bronze Medallion done in 1927 by Gaston Lavrillier, depicting George Washington and General Lafayette.
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
Brutalist 1970s abstract wall sculpture designed in the Silas Seandel manner
A vintage cattail table-top sculpture in patinated brass.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
Two-dimensional sculpture in the modern manner, depicting a maiden abducted by the minotaur.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
A Brutalist bird sculpture with elongated beak, and brass feathers made by Maison Jansen, circa 1960.
A large mid-century modernist style patinated bronze sculpture of a stylized tall female torso.
A late 20th century abstract sculpture, created by Curtis Jere, features highly polished chrome body, rendered into a curved ribbon form, accented with ball motif in brass, on a cylindrical black marble base.
A Modern style sunburst wall sculpture signed C Jere 1987. In great vintage condition.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
Art Deco gazelle sculpture in patinated brass-tone metal.
Erte sculpture titled "Les Bijoux de Perles" produced in the year of Erte's death 1990 by Sevenarts Ltd as a limited edition of 500.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
This Art Deco Marcel-Andre Bouraine sculpture is of a partially clothed woman.
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
A Japanese Meiji-era finely cast bronze sculpture of a mythical guardian of the sea
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
Bruno Giorgi bronze sculpture of a female torso mounted on a black marble base.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
A sculpture of an Egyptian funerary mask, possibly French in origin, produced in the early 1900s, with classically rendered bronze face
A bronze sculpture of a stylized reclining female torso by celebrated French-born American modernist sculptor Gaston Lachaise (1882-1935)
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
Hattakitkosol Somchai evokes the Futurist style in this bronze sculpture of a female torso in mid-motion.
Paris Arc de Triomphe de l'Étoile candleholder in a heavy dark metal.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Organic Modern inspired amethyst on stepped silver plate base.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A pair of Barcelona chairs dating from ca.1970.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Giacometti table lamps in a matte white finish.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
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