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HEIGHT: 29in (74cm) WIDTH: 13in (33cm) DEPTH: 12in (30cm)
Mid 20th Century
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
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Bust of a young women, crafted in aluminium and mounted on a black base.
A brass sculpture, influenced by Miao Hook tribal talismans of China.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
A vintage bronze sculpture by noted artist Lawrence Fane (1933-2008) and signed "Fane"in bronze.
A vintage bronze sculpture mounted on black stone base by Brazilian artist Heloisa Dolabella. Her large public works are displayed throughout Rio and other parts of Brazil and she has been exhibited in museums throughout the world. The plaque on the stone base bears the anglicized version of her name
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
Blackened Metal sculpture of the beloved literary character Don Quixote mounted on a white painted base.
Bruno Giorgi bronze sculpture of a female torso mounted on a black marble base.
A Brutalist open work iron sculpture of a woman on a wooden base.
A Japanese Meiji bronze vase with an exceptionally detailed applied cast alligator.
A monumental patinated and gilt bronze candelabra (gas lamp), produced circa 1880s by Henri Vian, with a sculptured cherub on an ormolu mounted marble pedestal.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
A large mid-century modernist style patinated bronze sculpture of a stylized tall female torso.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
A Paul Evans style mid-century welded steel Brutalist sculpture.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
Vintage circa 1970's abstract sculpture, created by artist William Bowie in the Brutalist style, is made of rough soldered green-patinated bronze.
Mid Century lifelike brass hanging sculpture of a longhorn steer skull, c. 1960's.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
Austrian Jugenstil massive but elegant sculpture, depicting a beautiful Eastern female dancing with a snake is a fine example of the Art Nouveau movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
Organic Modern inspired amethyst on stepped silver plate base.
An aluminum abstract sculpture signed by mid-century artist Chris Petersen, c.1970’s.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of Barcelona chairs dating from ca.1970.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Giacometti table lamps in a matte white finish.
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