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HEIGHT: 18in (46cm) DIAMETER: 10in (25cm)
Late 20th Century
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
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Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
This wall sculpture in the Brutalist Style is made of patinated brass.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A Japanese Meiji-era finely cast bronze sculpture of a mythical guardian of the sea
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
Hattakitkosol Somchai evokes the Futurist style in this bronze sculpture of a female torso in mid-motion.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
Paris Arc de Triomphe de l'Étoile candleholder in a heavy dark metal.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
Bust of a young women, crafted in aluminium and mounted on a black base.
This free standing sculpture was designed by renowned Curtis Jere in 1977. It is composed of metal birds in flight; mounted on a marble base. This piece has been signed and dated. The piece is in good vintage condition. Reduced From: $1,750
A large mid-century modernist style patinated bronze sculpture of a stylized tall female torso.
A vintage bronze free form abstract sculpture on a marble base with acrylic wire detailing by Hattakitkosol Somchai (1934-2000), a Thai artist who specialized in bronze sculpture. The piece is signed "Somchai"and is number 6 out of an edition of 100.
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
A copper tree sculpture, mid-century, c. 1970’s in the manner of Curtis Jere.
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
Sculpture in a patinated bronze of an academic male nude reclining in neoclassical form , created in Italy circa 1930s by an unknown artist.
An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
A beautiful bronze sculpture of the head of a smiling Buddha, produced in Myanmar (Burma) in the early to mid 20th century.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
Austrian Jugenstil massive but elegant sculpture, depicting a beautiful Eastern female dancing with a snake is a fine example of the Art Nouveau movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
Stainless steel & aluminum sculpture of a futuristic racing car by a known American artist, Daniel Fiorda; namely, from his series " Heavy Toys", where speed is reflected in the form of children’s toys that have been adapted to the adult psyche.
A vintage circa 1960's abstract sculpture, created by sculptor Lewis Seiler, depicting two highly stylized rounded figures in bronze performing outstanding acrobatic feats, and deftly balanced on a black marble base.
A vintage circa 1980's Kinetic sculpture by artist Dan Murphy with polished sheets in brass and chrome that represent abstract flame, on a Lucite base, with accent lucite sphere. Markings include the artist's signature, [Dan Murphy, 1989] engraved to the base of the chrome sheet. In a very good vintage condition, wear consistent with age.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
An aluminum abstract sculpture signed by mid-century artist Chris Petersen, c.1970’s.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A vintage pair of teak side chairs with white linen seats and cane backs.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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