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HEIGHT: 43in (109cm) WIDTH: 12in (30cm) DEPTH: 8in (20cm) #16-04-06
Mid to Late 20th Century
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
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A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
Bernard Langlais sculpture of a seated female nude crafted in bronze; number four of eight limited edition sculptures produced in 1993.
Intricate mixed metal and materials enameled and torch cut schoolhouse with American flag on pole and ringing school bell by Curtis Jere.
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
An antique Japanese bronze sculpture depicting an old man with walking staff. The piece dates from the Meiji period (1868-1912).
A large hand-carved wood sculpture of a hillbilly reading a recipe for moonshine.
Wall sculptures depicting unicorns cast in patinated copper.
A skillfully carved sculpture of scholars traveling through a mountain, rendered in white jadeite on a wood base.
A burnished brass toned metal and mesh sailboat sculpture, detailed with a ships wheel and rudder. Designed by Curtis Jere, 1970s.
Cast iron candelabras in the shape of G.I. Joe action figures in the nude with stretched out arms, created by California artist Joel Otterson (b. 1959) in circa 1992.
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
This copper sunburst wall sculpture is inspired by Curtis Jere designs.
Silas Seandel style Brutalist sculpture, comprising three stylized stems in mixed-metal on a vintage water pump as base.
Bronze torso cast by renowned French sculptor Aristide Maillol circa 1960's. The sculpture is signed at the the base A.Maillol.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
Circa 1960's White sheep sculpture , featuring genuine sheepskin and horns, with wooden legs and black buttons for eyes.
A unique and ambitious rendering of a pair of Futurist styled male and female sculptures, circa 1970’s.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
An Art Deco hammered copper sculpture of a nude woman wading through water and carrying two fish in the style of Hagenauer.
An antique Japanese bronze sculpture of a horse. The piece dates from the Meiji Period.
Gracefully abstract sculpture, composed of carved, frosted and textured Lucite, sits atop an illuminating metallic toned pedestal, circa 1970-1980.
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on sculpture.
Bronze Antique Burmese (Myanamar) Sculpture of Bell Ringers. Good vintage condition with age appropriate patina
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Milton Elting Hebald (American 1917-2015) Mid-Century Modernist bronze sculpture titled 'The Storm', created in 1962 by the artist.
Paul Silvestre limited edition bronze of Leda and the Swan after the original.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
Brutalist style sculpture of a standing giraffe made of welded metal pieces.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
Murano glass sculpture of a boy in a turban, standing on a base, hand-blown in multicolored glass, with the inclusion of gold flecks. Signed ‘Gino Cenedese’ on the bottom.
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
An original wooden sculpture depicting Hollywood icons Fred Astaire and Ginger Rogers by American artist Donn Russell. The piece is titled "Miss the Next Step, Ginger, and You're Out of the Picture". Donn Russell was born in Boston in 1929 and would go on to attend the Boston Museum School, the Pratt Institute, the School of visual Design and the Art Students League in New York. His first public acclaim was winning the top award at a National Academy of Design Annual and would be followed by numerous other awards and recognitions. His work has been exhibited throughout the world and has been featured in many art and architecture publications, as well as appearing as illustrations in various periodicals like Life, The New Yorker and Fortune.
A Mid-century acrylic box optic light sculpture signed and dated by Neal Small, 1969, constructed with acrylic sheets suspended to form a prism within the light box base.
Modern faceted jewel art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
A pair of French lounge chairs by French designer Pierre Paulin, in their original pink fabric, circa 1970.
Mid-Century 1950s Italian lamp in blue Murano glass by Seguso for Marbro Lamp Company
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A vintage modernist chandelier in brass.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
An antique Louis XIV style console table in untreated wood.
Organic Modern inspired amethyst on stepped silver plate base.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Salavetti disc pendant in 18k white gold.
A Modernist cased glass hand-blown blue-green vase. Label on the side. In great vintage condition.
Arne Jacobsen mid-century modern Swan Chair designed by Fritz Hansen for Knoll recently reupholstered in bright pink.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A pair of Barcelona chairs dating from ca.1970.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Giacometti table lamps in a matte white finish.
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