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HEIGHT: 43in (109cm) WIDTH: 12in (30cm) DEPTH: 8in (20cm) #16-04-06
Mid to Late 20th Century
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
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An Italian Murano mid-century clear glass sculpture depicting a horse mounted rider with horse.
A bronze abstract Brutalist sculpture created by Mexican artist and designer Gunther Gerzso (1915-2000) in the 1980s in Mexico.
Oded Halahmy sculpture titled 'The Beauty of Horse Light' in cast bronze and aluminum.
A vintage jade sculpture from China depicting a horse in mid stride.
A vintage free standing steel cityscape or skyline sculpture, designed in the style of Richard Serra consisting of five free-standing buildings.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
This Art Deco Marcel-Andre Bouraine sculpture is of a partially clothed woman.
Modern cast aluminum menorah by Oded Halahmy, titled 'Crown Lights', created in 2006.
French Art Deco period sculpture of a female dancer cast in bronze, atop a marble base
A modern pair of bronze sculptures of a duo of dancers in movement, sculpted in an Expressionist figurative manner and fixed atop circular bronze bases.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
A brass Curtis Jere deer sculpture on an onyx base, signed C. Jere, and dated 1986.
Modern style brass sculpture of a ship model atop a wooden base, made by Curtis Jere.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
Murano glass sculpture of a boy in a turban, standing on a base, hand-blown in multicolored glass, with the inclusion of gold flecks. Signed ‘Gino Cenedese’ on the bottom.
An elegant modernist sculpture of a robed standing female, carved in unstained wood, and attributed to Albert Wein (American, 1915-1991).
This copper sunburst wall sculpture is inspired by Curtis Jere designs.
A skillfully carved sculpture of scholars traveling through a mountain, rendered in white jadeite on a wood base.
Japanese carved and hand painted mask
Italian 1960s Murano glass Livio Seguso sculpture, titled 'Two Faces of the Moon'; signed
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
Modern bronze and cast aluminium menorah by Oded Halahmy, titled 'Peace Shalom Salaam (Study)', created in 1997.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
A bronze abstract sculpture created by Mexican artist and designer Gunther Gerzso (1915-2000) in Mexico.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
Sergio Bustamante (Mexican, Born 1942) surrealist-style sculpture of a shadow box in red wood with several cubby spaces.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
A cat sculpture on a long rectangular base. Made up of Minimalist geometric forms with a black glossy finish
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
An antique Louis XIV style console table in untreated wood.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
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