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HEIGHT: 8in (20cm) DIAMETER: 36.25in (92cm)
Late 20th Century
A 1940s Modernist sculptural "machine" with clear Lucite gears and case on a metal base.
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This circa 1970s sculpture by East Hampton artist Phyllis Hammond, depicts a highly unique abstract form in multi-toned clay; detached from base.
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
A late 20th-century Brutalist mixed metal wall sculpture in a sunburst design inspired by Curtis Jere.
A modern pair of bronze sculptures of a duo of dancers in movement, sculpted in an Expressionist figurative manner and fixed atop circular bronze bases.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
This modern ceramic sculpture of a grinning fat cat derives much inspiration from artist Fernando Botero (b. 1932), best known for portraying heavy-set figures and animals in his works of art. The sculpture's clean lines and minimal details marries well with the smooth matte glazed surface. Markings include signature and impressed stamp (albeit indiscernible) to the lower back of the cat. Despite minor presence of wear, including chips and scuffs to the surface, this piece remains in good overall condition.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Cubist manner mid-20th century figural sculpture, produced likely 1940s by an anonymous artist.
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
A Mixmaster blender by Sunbeam, circa 1940s, converted into a neon light sculpture in the 1980s.
Thai Rattanakosin period cast gilt bronze Buddha from the mid-19th century
Modern paper mâché hand painted parrot sculpture by Sergio Bustamante, perched on a brass swing.
Sculpture in a patinated bronze of an academic male nude reclining in neoclassical form , created in Italy circa 1930s by an unknown artist.
Paul Silvestre limited edition bronze of Leda and the Swan after the original.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Sailboat sculpture made in brass. Great modern nautical design signed C. Jere 1976.
A modernist carved wood sculpture by American architect and artist Thomas E. Woodward (1932-2011). The sculpture appears to be made in American walnut and finishes at its top into a double Mobius band. Excellent original condition, signed on bottom "T Woodward"
Modern abstract floor sculpture, circa 1970s, in the style of architect George Nakashima, of live-edge and carved wood.
a modern metal nine wire ball form sculpture that has movement when touched, like the sculptures by sculptor Harry Bertoia.
Handmade wire sculpture of a ship built on a wooden base, decorated with bronze ship rope holders and bronze rope design trim
A Brutalist bird sculpture with elongated beak, and brass feathers made by Maison Jansen, circa 1960.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
American midcentury Folk Art sculpture of a squirrel by Benedict Tatti.
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
Curtis Jere wall-mounted sculpture in the shape of a tree branch.
A 1940s Italian enameled tole wall hanging or wall-mounted sculpture of a lemon tree mounted in a silver pot.
A burnished brass toned metal and mesh sailboat sculpture, detailed with a ships wheel and rudder. Designed by Curtis Jere, 1970s.
Modern style brass sculpture of a ship model atop a wooden base, made by Curtis Jere.
Brutalist style sculpture of a standing giraffe made of welded metal pieces.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
Modern abstract sculpture cast in bronze, depicting a woman crouching on the ground.
Surrealist Daum sculpture by Salvador Dali, depicting a melting clock in pate de verre glass.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
An antique Louis XIV style console table in untreated wood.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
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