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HEIGHT: 2.5 in (6 cm) WIDTH: 8.5 in (22 cm) DEPTH: 3.25 in (8 cm)
Mid 20th Century
Modern Industrial style tabletop sculpture titled 'Surface tension'
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An abstract sculpture of multiple loops in metal. Original patina.
Bijan wall sculpture in the shape of a cluster of trees in polished brass.
French neoclassical revival 'Cupidon' bronze sculpture after French artist Auguste Moreau (1834-1917).
A detailed bronze sculpture by Frederic Remington, titled "Norther" and depicting a man on a horse braving winter weather, signed and placed on a marble base.
A cast bronze Medallion done in 1927 by Gaston Lavrillier, depicting George Washington and General Lafayette.
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s. Signed.
Intricate mixed metal and materials enameled and torch cut schoolhouse with American flag on pole and ringing school bell by Curtis Jere.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on sculpture.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
Wei Xiao Ming bronze statue called 'Shadow in the Spotlight.' Depicts a stylized human figure shielding himself with his arms.
Vintage circa 1970's abstract sculpture, created by artist William Bowie in the Brutalist style, is made of rough soldered green-patinated bronze.
A bronze sculpture by William J. Sewell of a nude woman. Very good condition, natural patina, signed and dated 1946.
Contemporary modern sculpture 'Vigilance' depicting a lion in bronze by Rosetta, dated 1996.
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
A DeMott signed burnished metal sculpture of a sailboat on a quartz base, 20th century.
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
1970s mixed metals ice cream parlor with begging dog, cafe table and chairs and plant in pot. Signed in black script jasing.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
Designed by Frederic Weinberg, a pair of vintage brass Etruscan horses cast flat and styled with organic patterns, mounted on rectangular bases.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
A silver over bronze modernist figurative statue, in the style of Ernest Trova, c. mid 20th century, depicting a nude, arched, standing male gracefully balancing a kneeling nude female his torso.
Modern architectural scale model of the upper section of the spire of New York City's Chrysler Building, cast in aluminum.
This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
A vintage bronze free form abstract sculpture on a marble base with acrylic wire detailing by Hattakitkosol Somchai (1934-2000), a Thai artist who specialized in bronze sculpture. The piece is signed "Somchai"and is number 6 out of an edition of 100.
Abstract Brutalist tabletop sculpture made in an industrial green patinated steel structure of cruciform shape, mounted on a rectangular base.
Art Deco gazelle sculpture in patinated brass-tone metal.
A bronze sculpture of an abstract head shaped figure, made by German-born Mexican artist Mathias Goeritz (1915-1990) in the 1950s-1960s.
Paul Silvestre limited edition bronze of Leda and the Swan after the original.
A circa 1990's modern abstract sculpture, created by Curtis Jere, composed of dual sheets of brushed and polished steel, rendered into swirling 'ribbon' shapes, raised on a cylindrical black iron floor stand.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
An antique Louis XIV style console table in untreated wood.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
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