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26 in. H x 8 in. W x 5.5 in. D
Mid to Late 20th Century
An amazing automaton titled, "Consensus 2013," which is the brain child of businessman and investment guru Sam Zell
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An antique Japanese bronze sculpture of a horse. The piece dates from the Meiji Period.
A modern pair of bronze sculptures of a duo of dancers in movement, sculpted in an Expressionist figurative manner and fixed atop circular bronze bases.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
Oded Halahmy sculpture titled 'Omer Shalom Oseh Shalom' crafted in cast aluminum and bronze.
Majolica sculptures of life-sized Macaws produced in Italy during the 1950s.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Austrian Jugenstil massive but elegant sculpture, depicting a beautiful Eastern female dancing with a snake is a fine example of the Art Nouveau movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries.
Italian 1960s Murano glass Livio Seguso sculpture, titled 'Two Faces of the Moon'; signed
Contemporary modern late 20th century optical abstract sculpture in glass by Martin Rosol, signed.
A bronze sculpture by Edward J. Walsh (b. 1944, American) of a figurative sculpture stretching her arms, atop a white marble base.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on sculpture.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
An abstract constructivist spiritual carved wood sculpture titled 'The Shrine', made by Polish-American sculptor Bronka Stern in the 1950s-1960s.
Pair of sculptural cats, reminiscent of the Art Modern style with Egyptian influences, glossy black finish, with matte gold details.
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
French Art Deco period sculpted bronze bust depicting the head of a young boy
Modern cast aluminium menorah by Oded Halahmy, titled 'Baghdad Lights For Peace', created in 2004.
Thai Rattanakosin period cast gilt bronze Buddha from the mid-19th century
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
Modern abstract sculpture cast in bronze, depicting a woman crouching on the ground.
A singed screen printed plexiglass sculpture by Russian/American artist Ilya Bolotowsky (1907-1981), numbered 1/100, 1970.
A Japanese Meiji period bronze elephant sculpture on original burl-wood base. Old repair to the tail; some paint chips to bronze trunk; unsigned.
A Brutalist abstract sculpture by Stanyo Kaminsky in wood and iron.
Sailboat sculpture made in brass. Great modern nautical design signed C. Jere 1976.
This circa 1970s sculpture by East Hampton artist Phyllis Hammond, depicts a highly unique abstract form in multi-toned clay; detached from base.
A sculpture by an unknown artist, of an abstract female figure with long trailing hair, large folded arms and Minimalist facial features, on a highly simplified body.
Surrealist Daum sculpture by Salvador Dali, depicting a melting clock in pate de verre glass.
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
Bernard Langlais sculpture of a seated female nude crafted in bronze; number four of eight limited edition sculptures produced in 1993.
An Italian Murano mid-century clear glass sculpture depicting a horse mounted rider with horse.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An antique Louis XIV style console table in untreated wood.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
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