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HEIGHT: 10in (25cm) WIDTH: 10.5in (27cm) DEPTH: 5.5in (14cm)
Late 20th Century
Early 20th century mask, styled after Congo Chokwe tribal headwear, of carved patinated wood, with multicolored beading.
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A Mid-century sculpture of angelfish in tessellated stone, lacquer, and brass, on a fossil stone base.
Margeaux Walter's Group №1 of 4 Boxes from her Horizon Series produced in 2009.
These obelisks are likely from the 1920's but could possibly be from as early as the late 19th century.
A circa 1940's carved and painted wooden mask, inspired by traditional styles used by the Dan People of Liberia and small parts of the Ivory Coast, on a wooden stand.
A vintage sculpture or diorama with an orchestra of miniature foxes dressed in formal wear playing musical instruments in a forest, and encased in a Lucite pyramid.
Silas Seandel style Brutalist sculpture, comprising three stylized stems in mixed-metal on a vintage water pump as base.
An Alberto Giacometti style vintage bronze sculpture of a mother playfully lifting a child.
A pair of wooden male and female statues from the ethnic group Ekoi (or Ejagham) of southeast Nigeria and northern Cameroon.
A Mid-century abstract sculpture in textured bronze, created circa 1960's by D. Angelo, on a black marble base, signed.
Decorative African Art ancestral "Lega"multi-faced carved sculpture mounted on a wooden base.
Pair of sculptural cats, reminiscent of the Art Modern style with Egyptian influences, glossy black finish, with matte gold details.
A sculpture created by New Orleans-base artist Cathy Rose in 2012. assemblage of a female porcelain head and body made of wood and other found objects. Excellent condition, signed on back 'Cathy Rose'.
A sculptural head of Bucephalus, horse of Alexander the Great, produced circa 1970s in Greece, resin.
Sculpture of a headless mannequin painted with abstract modern designs by artist Peter Keil (b. 1942)
Cement greyhound sculpture seated on a circular pedestal base.
A sculpture of a prowling lion in rust colored leather. Includes lifelike whiskers and pronounced teeth. In good vintage condition.
A decorative shell and canvas tribal helmet mask attributed to the Kuba people of the Congo, c. 20th century or earlier.
1970s Silas Seandel Brutalist wall sculpture, of abstract form, crafted of hand-wrought mixed-metals, with enameled and gilt details.
Contemporary surrealist Jeremy Leichman kinetic sculpture 'Middle Management', with business suited figures in ceramic.
A unique and ambitious rendering of a pair of Futurist styled male and female sculptures, circa 1970’s.
A Mid-Century Modern Curtis Jere sculpture of a sandpiper mother hovering over her nest with three blue eggs.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Organic Modern inspired amethyst on stepped silver plate base.
Early 20th century Chinese model of a battleship in mixed-metals, on a carved wood stand.
A Japanese Meiji period bronze elephant sculpture on original burl-wood base. Old repair to the tail; some paint chips to bronze trunk; unsigned.
Abstract Expressionist bronze sculpture created circa 1960's by Greece-born New York artist George Koras (b. 1925), depicting an abstracted figure of a woman reading.
A circa 1970’s pair of sculptural buffalo horns mounted on bases wrapped in faux alligator skin.
An 'accordion' sculpture made by U.S. sculptor Richard Thatcher in 1999, composed of metal and stone
Margeaux Walter's Group №2 of 4 Boxes from her Horizon Series produced in 2009.
This 1990's pair of male and female mannequins is clad in Volcom Stone patterned paper.
A vintage 1980's sculpture of a duo of stringed musicians, by Austin Productions Inc., features the two stylized abstract figures depicted playing the violin and cello, in dense plaster on a black lacquer wooden base.
A large circa 1980's African Art Ivory Coast (Cote D'Ivorie) 'Spider' Mask', from the Bete tribe. Wood and tacks on metal stand.
An african hand-woven rattan disc with dyed black patterns, supported on a metal stand.
This colorful scultpure in acrylic is by contemporary Israeli artist Shlomi Haziza.
A chrome mid-century car bumper sculpture mounted on wood cube base.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A pair of Barcelona chairs dating from ca.1970.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Giacometti table lamps in a matte white finish.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
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