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HEIGHT: 11in (28cm) WIDTH: 11in (28cm) DEPTH: 6in (15cm)
Mid 20th Century
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
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A Brutalist style abstract sculpture in cast aluminum made in the 1960s by DCalvi. Plaque mounted on painted wood base marked 'DCalvi". Great original condition.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
Paris Arc de Triomphe de l'Étoile candleholder in a heavy dark metal.
Austrian Jugenstil massive but elegant sculpture, depicting a beautiful Eastern female dancing with a snake is a fine example of the Art Nouveau movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries.
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
Mid-Century era pair of sculptural Indian elephants, embossed silver sheet.
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
Blackened Metal sculpture of the beloved literary character Don Quixote mounted on a white painted base.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
A Brutalist abstract sculpture made from welded car bumpers by Jason Seley (1919-1983), sculptor and dean of the Cornell University College of Architecture, Art and Planning. Excellent original condition, with some wear of age. Serial number etched in.
A vintage free standing steel cityscape or skyline sculpture, designed in the style of Richard Serra consisting of five free-standing buildings.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
Designed by Frederic Weinberg, a pair of vintage brass Etruscan horses cast flat and styled with organic patterns, mounted on rectangular bases.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
A vintage bronze sculpture of a female figure. the piece has abstracted features and a "rough"finish. -Reduced from $1500
A monumental patinated and gilt bronze candelabra (gas lamp), produced circa 1880s by Henri Vian, with a sculptured cherub on an ormolu mounted marble pedestal.
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
A mid-century bronze sculpture depicting an Egyptian styled cat.
Mid-20th century era abstract sculpture by Klaus Ilhenfeld (German, b. 1934-) crafted of bronze.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
Organic Modern inspired amethyst on stepped silver plate base.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A pair of Barcelona chairs dating from ca.1970.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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