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HEIGHT: 11in (28cm) WIDTH: 11in (28cm) DEPTH: 6in (15cm)
Mid 20th Century
Midcentury metal sculpture of a tree surrounded by three large mushrooms with a small green frog.
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A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
A vintage large brass sculpture of a sitting panther possibly looking at its prey. Sculpture is in good vintage condition with some wear and stains to brass as well as small scratches and nicks to the surface.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
A Brutalist style abstract sculpture in cast aluminum made in the 1960s by DCalvi. Plaque mounted on painted wood base marked 'DCalvi". Great original condition.
A large mid-century modernist style patinated bronze sculpture of a stylized tall female torso.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
A vintage circa 1980's Kinetic sculpture by artist Dan Murphy with polished sheets in brass and chrome that represent abstract flame, on a Lucite base, with accent lucite sphere. Markings include the artist's signature, [Dan Murphy, 1989] engraved to the base of the chrome sheet. In a very good vintage condition, wear consistent with age.
This sculpture from the 1960s by Bill Lett depicts a Brutalist style silhouette of a charging bull.
A Japanese Meiji-era finely cast bronze sculpture of a mythical guardian of the sea
Ram head bust sculpture in polished brass.
A mid-century bronze sculpture depicting an Egyptian styled cat.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
Designed by Frederic Weinberg, a pair of vintage brass Etruscan horses cast flat and styled with organic patterns, mounted on rectangular bases.
Vintage Brutalist manner sculptural owl by Curtis Jere in patinated mixed-metals, signed and dated 1968.
Organic Modern inspired amethyst on stepped silver plate base.
A Mid-century Modern sculpture of a crane by Curtis Jere, 1978, of nickel plated steel on round base.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
This wall sculpture in the Brutalist Style is made of patinated brass.
Patinated bronze, height 14 1/2 inches and signed L. TUAILLON on the plinth in front of the horse’s left hind hoof.
A brass sculpture, influenced by Miao Hook tribal talismans of China.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
A Mid-Century Modern Curtis Jere sculpture of a sandpiper mother hovering over her nest with three blue eggs.
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
Paris Arc de Triomphe de l'Étoile candleholder in a heavy dark metal.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
Art Deco bronze sculpture by Opus-Cellini depicting a female nude from 1930s.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of Barcelona chairs dating from ca.1970.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Giacometti table lamps in a matte white finish.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
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