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Framed - H 31.5 in (79 cm) x W 36 in (92 cm) x D 3 in (8 cm)
Sight - H 25 in (63.5 cm) x W 30 in (76 cm)
Oil on Canvas
Early 20th Century
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
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A large signed oil on canvas by German artist Peter Keil (b. 1942), produced, circa 1970s, depicting an abstract expressionist outline of a face
An abstract oil on canvas painting title "Topsy Turvey"in vibrant blues and reds. The piece is signed and dated by artist jean Sampson
John Konstantin Hansegger oil painting of a rooster; c 1950’s.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
An expressionist oil on board by German artist Peter Robert Keil (b. 1942), titled "Mephisto" dated 1974
Mid-Century Modern painted door panel with geometric abstract patterns; signed Karras.
Modern Op Art oil painting, signed Richard M. David, dated 1973.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
A vintage abstract painting of blue, white, and grey shapes in bold brush strokes. Oil on board.
Expressionist portrait oil on board by Peter Keil (b. 1942), "Trocadero Bar" a.k.a. "Young Gay Man". Signed and dated 1983
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
John Konstantin Hansegger Columbia County plein air impressionist painiting of a snow scene.
An oil on board, produced 1959 by modern painter Joachim Probst (1913-1980), titled "Christ Doomed" otherwise "The Grey Ghost"
A Triangle painting by mid-century artist David Barry Lewis.
An oil on canvas painting by Rene Schmitt, signed in lower left, depicting a colorful scene of buildings in New York
Produced circa 1960s by Italian artist Remo Farruggio oil on canvas entitled ‘Fantasy,’ depicts a sundry of bright geometric shapes against a mottled, multicolored field.
Ben Austrian (American, 1870–1921) oil on board, signed and dated 1915m depicting an impressionist landscape with lake.
A painting by American Artist Edwin T. Billings (1824-1893), titled “Boy Gazing at Hour Glass”, c. 1875. E.T Billings was a portraitist, having painted William Lloyd Garrison, Daniel Webster, and Oliver Wendell Holmes, Sr.
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
Expressionist portrait "The Blue Lady" oil paint on poster board by Peter Keil (German, b. 1942), signed and dated 1985.
African-American painter Beauford Delaney (American, 1901-1979), born in Knoxville, Tennessee, was greatly impacted by the Harlem Renaissance cultural arts revolution of New York City, holding numerous exhibitions and eventually moving to teach art as a WPA listed artist. By the 1950s Delaney, among many African American expatriates, would continue his artistic career in culturally enriched Paris. This untitled oil on linen depicts a impressionist waterfront landscape, a unique subject for the artist, best known for portraiture. Markings include artist's signature and date ['41, Beauford Delaney] to lower right corner. This work of art remains in very good condition, with no structural issues. Dimensions provided reflect painting without frame.
Expressionist manner signed oil painting titled 'Laugh, Clown' a.k.a. 'Agony of a Clown' by Ken Nishi.
An antique 19th Century oil on board portrait of two dogs by listed French artist C. M. R. Schreiber
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
Assemblage painting; "Flagelation"oil on heavy gessoed arches paper by Ross Neher, an exhibited re-emerging artist.It is authenticated by the artist and signed verso. Reduced from $2400.00
Pop art oil painting 'Friends' by Beatricia Sagar, signed and dated 1966.
A Cubist style portrait by German artist Peter Robert Keil (b. 1942), the oil on paper titled 'Palma' dated 1972
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
“Puffy Sleeved Woman”, oil on canvas, c. 1830’s, by unknown artist, a beautifully rendered portrait of a wealthy female subject adorned with jewels and holding a book.
Signed still life by American artist John F. Folinsbee (American, 1892-1972), produced 1960s, featuring a blue pitcher with flowers.
An oil on canvas painting by American artist Mildred Crooks entitled "Lady of the Night"and signed in the upper left corner. Mildred Crooks was born in Chicago in 1899 and worked in commercial arts in Chicago before moving to New York City. She Studied in Paris for a time and had an atelier there as well as in Cannes and exhibited regularly in Paris and New York. She painted throughout her life and exhibited all over the world before passing away in 1972.
An oil on canvas painting titled "The Jazz Singer"by Belgian artist Frans Siaens. The piece is signed in the lower left.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A vintage pair of teak side chairs with white linen seats and cane backs.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
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