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H 17 in. x W 14 in. x D 9 in.
Late 19th Century
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
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Japanese Edo period pair of carved stone female Bodhisattva sculptures, hand painted
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
German Jugendstil period amphora in neoclassical revival style, in brass repousse inside and outside, with bronze handles, legs, figures and sculpted bronze plaques,
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
A Japanese Meiji period bronze elephant sculpture on original burl-wood base. Old repair to the tail; some paint chips to bronze trunk; unsigned.
Majolica toucan sculpture produced during the 1950s in Italy.
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
A cast bronze depiction of the head of King Sargon, ruler of the Iraqi Akkadian Empire. Cast in the late 20th century.
Modernist style statue inspired by the 1931 Suprematist 'Sportsmen' painting by Russian Modernist artist Kazimir Malevich, painted in a bold selection of colors.
A wooden ram sculpture covered in real rams wool with a Composite face with glass eyes and faux horns.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
This Art Deco Marcel-Andre Bouraine sculpture is of a partially clothed woman.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s. Signed.
A singed screen printed plexiglass sculpture by Russian/American artist Ilya Bolotowsky (1907-1981), numbered 1/100, 1970.
An Italian Murano mid-century clear glass sculpture depicting a horse mounted rider with horse.
Modern abstract floor sculpture, circa 1970s, in the style of architect George Nakashima, of live-edge and carved wood.
Gracefully abstract sculpture, composed of carved, frosted and textured Lucite, sits atop an illuminating metallic toned pedestal, circa 1970-1980.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
Four beautifully carved wooden sculptures depicting Myanmar monks (formerly Burmese) holding offering bowls. Intricately detailed and finished in red lacquer, these figures were produced during the 20th century.
This circa 1970s sculpture by East Hampton artist Phyllis Hammond, depicts a highly unique abstract form in multi-toned clay; detached from base.
Modern faceted jewel art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
Cubist manner mid-20th century figural sculpture, produced likely 1940s by an anonymous artist.
A unique and ambitious rendering of a pair of Futurist styled male and female sculptures, circa 1970’s.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
An antique Louis XIV style console table in untreated wood.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
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