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Robert Chatelain art vessel in black cherry wood, red resin and smears of gold leaf.
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Nicholas Haydon Carved Colorful Red Agate on Stand.
A unsigned oil on canvas painting in the Abstract Expressionist style; painted on the back in the artist's original simple nailed wood frame
A Chinese red porcelain vase in monumental size decorated with a raised floral relief of dragons and clouds. Excellent condition, period unknown, Chinese Mark on the front.
An Art Deco ceramic sculpture with ox blood colored glaze depicting a dove. Made in the 1920s-1930s in Japan for the French market. Excellent condition with paper label in Japanese; import piece. Japanese artist.
Modern 1970s painted door panel, signed by the artist, designed in the op-art manner.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
“Puffy Sleeved Woman”, oil on canvas, c. 1830’s, by unknown artist, a beautifully rendered portrait of a wealthy female subject adorned with jewels and holding a book.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
A watercolor painting entitled "Tropical Beauty" by Wladyslaw T. Benda (1873-1948). The piece depicts a young woman and flowers and is set in a wood frame with flower motif carvings.
An Art Deco watercolor painting with mythical themes by Eugene Savage (1883-1978). The study for the ceiling of the Elks Club in Chicago, Illinois. Titled "Muses Bringing Food for the Feast on Mt. Olympus,"and signed in the lower center. Eugene Savage is known for his melding of classical antiquity and modernity. When awarded a fellowship by the American Academy to study in Rome, he dedicated his attention to ancient Greek and Roman Sculpture. His later works reflect this influence whil incorporating modern sensibility. After leaving Rome, Savage was commissioned to pain numerous murals throughout the United States and Europe, including a ceiling triptych in the Elks Club National Memorial in Chicago, for which these were studies. the project was massive and brought together many of the most prominent artists of the time. the composition is subtly surreal, partly as a consideration for viewer position.
An oil on canvas painting of a reclining partially nude woman and two cats in an interior scene. The piece is signed and dated (1931) in the lower right. Fernand Gaston Longchamp was an impressionist and expressionist artist born in America to a French mother and Cayuga-Iroquois father. His family moved to France around the time of Gaston's birth and his father, an artist himself, was acquainted with many prominent artists in Paris such as Renoir, Signac and Seurat. Gaston would eventually apprentice with his father and became familiar with these artists himself. By fourteen he was working with painters in Montmartre and benefited from insights from Raoul Dufy, Georges Braque, Henri Matisse and others. He worked with Picasso painting stage designs for the Russian Ballet in 1911 and with Marc Chagall painting scenes for Stravinsky's Firebird. He briefly attended the Academie des Beaux Arts before returning to America in the 1920s where he would go on to become one of the foremost set designers in the United States. He set up a studio in Kintnersville, Bucks County, Pennsylvania where he worked prolifically until retiring in the 1970s. He passed away in 1986.
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