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30.5 in. H x 70 in. W x 21.5 in. D
77 cm H x 178 cm W x 55 cm D
Mid 20th Century
A Danish credenza sideboard, designed by Jens Quistgaard for Peter Lovig Nielsen, including two long tambour doors, the interior with five drawers (green felt lining to the top two), single shelves to the right and left. Markings include manufacturer's label [Lovig - Danish Design - Made in Denmark] and stamp [1970 Lovig - Dansk Designs...] to the back. This piece remains in very good vintage condition, consistent with age and use.
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Modern three door credenza in a glossy black lacquered body with decorative mirrored panels to the front and sides, framed by intricate fretwork and crescent moons.
French 1940s Art Deco credenza by Jules Leleu, in mahogany, three doors mounted with gilt bronze.
An Arne Vodder designed credenza, made of rosewood, with three sliding doors, interior shelves, and five drawers, Denmark, c. 1960’s.
Mid-Century modern credenza by Edward Wormley, manufactured by Dunbar circa 1950s, in rich mahogany, featuring basket weave front.
A vintage credenza or sideboard with raffia covered sliding doors and leather pulls. The piece is attributed to Florence Knoll. Vintage condition with wear commensurate with age and use; some loose veneer.
A vintage, circa 1950s wooden credenza on raised brass, designed by Paul McCobb for Calvin Furniture Co., including two three-panel doors, each with caning to the front, which open to reveal two drawers, above separated storage spaces. Markings include label [Calvin Grand Rapids/The Irwin Collection/designed by Paul McCobb], affixed to the interior left side drawer. Despite wear and spotting to the top brass frame, as well as some slight chipping to the wood body along the perimeter, and age appropriate patina to brass hardware, this piece is in overall good vintage condition.
A long buffet and credenza, produced in Brazil, circa 1950s, in lacquered jacaranda wood, with four doors for dual storage spaces, each inset with single shelf, and four adjacent drawers with bow-tie pulls, on beautifully formed curved base with Klismos legs.
1970s credenza in the manner of Maitland-Smith, veneered in tessellated peach stone.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
A vintage pair of teak side chairs with white linen seats and cane backs.
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