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41.5 in.Hx33.5 in.Wx1 in.D
105 cmHx85 cmWx3 cmD
Mid to Late 20th Century
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
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20th century modern oil painting signed by French artist Jean Luc, depicting Henri Rousseau style jungle setting with animals congregating.
Signed modern abstract 'Andy Warhol' oil portrait by Peter Keil (b. 1942)
A Triangle painting by mid-century artist David Barry Lewis.
An abstract oil on canvas painting title "Topsy Turvey"in vibrant blues and reds. The piece is signed and dated by artist jean Sampson
“Puffy Sleeved Woman”, oil on canvas, c. 1830’s, by unknown artist, a beautifully rendered portrait of a wealthy female subject adorned with jewels and holding a book.
A vintage abstract painting of blue, white, and grey shapes in bold brush strokes. Oil on board.
Continental European early 19th century oil painting depicting a portrait of a man wearing clerical dress.
Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
Modern abstract 1970s portrait by Peter Keil, titled 'Subway Exit, New York, USA'
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
An expressionist rendering of three wild horses by American artist William Meyerowitz (b.1887- d.1981).
John Konstantin Hansegger Columbia County plein air impressionist painiting of a snow scene.
This signed portrait of a man by Harry Elsas from the 20th Century in a gilded frame.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
Produced circa 1960s by Italian artist Remo Farruggio oil on canvas entitled ‘Fantasy,’ depicts a sundry of bright geometric shapes against a mottled, multicolored field.
An oil on board by Panamanian artist Chong Neto, depicting an abstracted and sensual reclining female nude; includes giltwood frame. Markings include artist's signature and date [Chong Neto/'66] to the lower right corner. Very good condition, wear consistent with age.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
An abstract oil on canvas painting entitled "Scattering Stars"by American artist Jean Sampson. The piece is rendered in deep blue shades with splashes of red and yellow.
Mid-20th century oil in the Impressionist manner by artist Henryk Dzienczarski, depicting boys playing in a cave
Modern 1950s still life in the Fauvist manner by Dorothy Finley (American, 20th Century), with goblet, pitcher and scattered oranges; signed.
This signed painting by Francis Speight (American) is done in an Expressionist style.
1900s oil painting by Carleton Wiggins depicting an impressionist landscape with sheep grazing
Expressionist manner signed oil painting titled 'Laugh, Clown' a.k.a. 'Agony of a Clown' by Ken Nishi.
An oil on canvas painting by Rene Schmitt, signed in lower left, depicting a colorful scene of buildings in New York
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Expressionist style oil painting "Christ Doomed" signed and dated 1959 by Joachim Probst (1913 - 1980)
A 1951 sined oil on canvas of a sad clown by Danish-born artist Philip Kran Paval.
Pop art oil painting 'Friends' by Beatricia Sagar, signed and dated 1966.
Modern Op Art oil painting, signed Richard M. David, dated 1973.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
An abstract painting in black, red, purple and blue on white background. The piece is by American artist Sally Turner and initialed S.T. in the lower right.
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
A beautifully rendered portrait in profile entitle “The Artistocrats”, by American artist Stella C. Condon, singed lower right and dated 1913, in a period frame.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A vintage pair of teak side chairs with white linen seats and cane backs.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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