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Framed abstract style oil portrait titled 'The Blue Lady', made by Peter Robert Keil (b. 1942) in 1973, in his Palma Studio.
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Colonial Arch design wall mirror by Carol Canner for Carvers guild, signed and dated 1973.
Modern abstract 1973 portrait 'My Friend Pablo Picasso' by Peter Keil, oil in tones of grey
Modern abstract 1970s portrait by Peter Keil, titled 'Subway Exit, New York, USA'
Modern Op Art oil painting, signed Richard M. David, dated 1973.
Signed cubist manner portrait 'Palma' in oil by Peter Keil (b. 1942)
This Silas Seandel Brutalist coffee table consists of a variety of mixed metal lily pad forms beneath a circular glass top.
A large silkscreen print on Japan-paper entitled "Girl at Piano"by Will Barnet. The artist was born in Beverly, Massachusetts in 1911 and studied at the Boston Museum of Fine Arts. He excelled at both painting and printmaking. He would go on to teach at various leading American institutions such as Yale, Cornell and the art Students League. He changed his style throughout his artistic career; moving from Expressionism influenced work in his early career to more Abstract pieces through the 50s and 60s and finally into figurative works by the 70s. He has exhibited at the Metropolitan Museum of Art, the Guggenheim Museum in New York and the Boston Museum of Fine Arts and his works are in the collections of numerous American museums including the National Gallery of Art and the Whitney Museum of American Art.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
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