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HEIGHT: 28 in. (71 cm) WIDTH: 14 in. (36 cm) DEPTH: 10 in. (25 cm)
Mid 20th Century
A vintage pair of French Art Deco sculptured Siamese cats, one seated in an upright position, the other lying prone, in white ceramic with 'craquelure' glaze.
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A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
A Mid-century abstract sculpture in textured bronze, created circa 1960's by D. Angelo, on a black marble base, signed.
Oded Halahmy sculpture titled 'Babylon Lights' in aluminum cast
Oded Halahmy sculpture titled 'The Beauty of Horse Light' in cast bronze and aluminum.
A Mid-Century Modern anthropomorphic marble sculpture atop a wooden base.
Modern bronze and cast aluminum menorah by Oded Halahmy, titled 'My Own Light', created in 2010.
A late 20th-century Brutalist mixed metal wall sculpture in a sunburst design inspired by Curtis Jere.
An amazing automaton titled, "Consensus 2013," which is the brain child of businessman and investment guru Sam Zell
Modern faceted jewel art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
Milton Elting Hebald (American 1917-2015) Mid-Century Modernist bronze sculpture titled 'The Storm', created in 1962 by the artist.
An Art Deco hammered copper sculpture of a nude woman wading through water and carrying two fish in the style of Hagenauer.
Wall sculpture in the Brutalist manner, signed (illegibly) and dated 1975, of abstract form, crafted of mixed metals.
Bronze torso cast by renowned French sculptor Aristide Maillol circa 1960's. The sculpture is signed at the the base A.Maillol.
Italian 1960s Murano glass Livio Seguso sculpture, titled 'Two Faces of the Moon'; signed
This Jean Sampson sculpture in wood is titled "Douglas Fir Woman" and is signed by the artist on the base.
An original wooden sculpture depicting Hollywood icons Fred Astaire and Ginger Rogers by American artist Donn Russell. The piece is titled "Miss the Next Step, Ginger, and You're Out of the Picture". Donn Russell was born in Boston in 1929 and would go on to attend the Boston Museum School, the Pratt Institute, the School of visual Design and the Art Students League in New York. His first public acclaim was winning the top award at a National Academy of Design Annual and would be followed by numerous other awards and recognitions. His work has been exhibited throughout the world and has been featured in many art and architecture publications, as well as appearing as illustrations in various periodicals like Life, The New Yorker and Fortune.
Curtis Jere wall-mounted sculpture in the shape of a tree branch.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
Modern abstract bronze cast sculpture by Oded Halahmy, created in 1993.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
A hand-sculpted brass fish with a sculpted copper sea plant and a cast bronze coral.
Handmade wire sculpture of a ship built on a wooden base, decorated with bronze ship rope holders and bronze rope design trim
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
A vintage bronze free form abstract sculpture on a marble base with acrylic wire detailing by Hattakitkosol Somchai (1934-2000), a Thai artist who specialized in bronze sculpture. The piece is signed "Somchai"and is number 6 out of an edition of 100.
Modern bronze and cast aluminum menorah by Oded Halahmy, titled 'Archway Holding Palm', created in 2010.
A Mid-century acrylic box optic light sculpture signed and dated by Neal Small, 1969, constructed with acrylic sheets suspended to form a prism within the light box base.
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
A Mid-Century Modern brass wall sculpture in the style of Silas Seandel, in the shape of a large sunburst.
Oded Halahmy sculpture titled 'Omer Shalom Oseh Shalom' crafted in cast aluminum and bronze.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Seymour Meyer (American, 1914-2009) modernist abstract bronze sculpture titled 'Flame' and was created by the New York artist in 1970.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
An antique Louis XIV style console table in untreated wood.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
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