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HEIGHT: 24 in. (61 cm) WIDTH: 36 in. (91 cm)
Mid 20th Century
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
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Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
A cast iron fountain with a standing next to an urn that is tipping slightly as well as two identical putti, each seated atop a spherical plinth.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
Brutalist style sculpture of a standing giraffe made of welded metal pieces.
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
Mid-Century Modern abstract sculpture of semi-abstract figures blowing horns, inscribed with artist initials "ew".
A Curtis Jere patinated bronze plated brass and metal hot air balloon with festive flags and a wheeled cabin, reminiscent of Jules Verne or the Steampunk movement, circa 1970's.
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
Art Deco gazelle sculpture in patinated brass-tone metal.
A mixed metal oil derrick comprised of torch cut and welded metal to form the rig. Fitted with various detailed ladders and scaffolds.
A Brutalist style abstract sculpture in cast aluminum made in the 1960s by DCalvi. Plaque mounted on painted wood base marked 'DCalvi". Great original condition.
A monumental patinated and gilt bronze candelabra (gas lamp), produced circa 1880s by Henri Vian, with a sculptured cherub on an ormolu mounted marble pedestal.
A vintage bronze sculpture mounted on black stone base by Brazilian artist Heloisa Dolabella. Her large public works are displayed throughout Rio and other parts of Brazil and she has been exhibited in museums throughout the world. The plaque on the stone base bears the anglicized version of her name
Paul Silvestre limited edition bronze of Leda and the Swan after the original.
A Modern style sunburst wall sculpture signed C Jere 1987. In great vintage condition.
An Art Nouveau bronze sculpture of a girl on a swing, after Auguste Moreau.
A beautiful bronze sculpture of the head of a smiling Buddha, produced in Myanmar (Burma) in the early to mid 20th century.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
Bronze torso cast by renowned French sculptor Aristide Maillol circa 1960's. The sculpture is signed at the the base A.Maillol.
Bijan wall sculpture in the shape of a cluster of trees in polished brass.
A bronze sculpture of a classical female marked on the base [Amodio Naples]. Amodio's studio specialized in crafting Fine replicas of classical works for the Grand Tour market. Despite minor scrapes and wear the sculpture remains in good condition.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
This mixed metal Brutalist sculpture by Silas Seandel is torch cut and mounted on wooden base.
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
A Curtis Jere mixed-metal sunburst wall-mounted sculpture with colorful removable center, circa 1970.
Mid-Century Modern wall-mounted metal sculpture depicting a four piece jazz band.
Ram head bust sculpture in polished brass.
Art Deco bronze sculpture by Opus-Cellini depicting a female nude from 1930s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An antique Louis XIV style console table in untreated wood.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
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