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HEIGHT: 24 in. (61 cm) WIDTH: 36 in. (91 cm)
Mid 20th Century
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
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A Japanese Meiji-era finely cast bronze sculpture of a mythical guardian of the sea
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
Raised decorative bowl made out of patinated bronze
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
A Renaissance inspired bronze sculpture of five singing putti playing musical instruments atop an elaborately carved architectural wooden stand.
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
The sculpture is depicting a semi-nude slender girl who plays two flutes at the time to bewitch a snake, wriggling at her feet.
A Brutalist style sculpture, created by Adolfo Passarella in the 1960's, in patinated bronze, on a square black laminate base, highly abstract, organic and bulbous design. The artist signature and date [PASSARELLA ADOLFO 1966] on the bottom of the sculpture. In very good condition, wear consistent with age and prior use.
A vintage mixed metal sculpture in the style of Curtis Jere with alabaster base.
A Modern style sunburst wall sculpture signed C Jere 1987. In great vintage condition.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
A copper sculpture in Brutalist style of a mother with her child seated on a wooden bench.
A Brutalist abstract sculpture by Stanyo Kaminsky in wood and iron.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Contemporary modern sculpture by Cheryl Farber Smith, abstract geometric form in metal; signed.
A circa 1990's modern abstract sculpture, created by Curtis Jere, composed of dual sheets of brushed and polished steel, rendered into swirling 'ribbon' shapes, raised on a cylindrical black iron floor stand.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
A burnished brass toned metal and mesh sailboat sculpture, detailed with a ships wheel and rudder. Designed by Curtis Jere, 1970s.
A Paul Evans style mid-century welded steel Brutalist sculpture.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
A vintage bronze sculpture of a female figure. the piece has abstracted features and a "rough"finish. -Reduced from $1500
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Organic Modern inspired amethyst on stepped silver plate base.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Giacometti table lamps in a matte white finish.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of Barcelona chairs dating from ca.1970.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Hammerman Brothers brooch in 18k yellow gold and platinum.
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