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Remo Michael Farruggio (1904-1981) Cosmic #40 Oil on canvas Signed bottom left Sight: Height: 23" x width: 36" Framed: Height: 24" x width: 37" x depth: 1"
Mid 20th Century
An oil painting by Czechoslovakian born artist Jan de Ruth (1922-1991), entitled 'Red Drape', depicting an impressionist rendering of a female nude from the waist up, reclining gently to one side, a vermilion colored cloth wrapped around her hips. This work is a sublime example of the artist's skilled brushwork and ability to capture physical form and expression within his studies of female nudes. Painting comes in wood frame with carved gilt foliage. Markings include the artist's signature to the lower right corner, [Red Drape] to the reverse; plaque with artist's name to front. Very good condition, consistent with age.
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1915 dated oil landscape in the Impressionist manner by American artist Ben Austrian (1870 - 1921); signed
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
A 19th century oil on wood board painting of George Washington. In original elaborate gilded gesso and wood frame.
Expressionist framed oil painting titled 'Spanish Torero', painted in 1974 by Peter Robert Keil in Palma.
John Konstantin Hansegger oil painting of a rooster; c 1950’s.
Abstract neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
A painting by American Artist Edwin T. Billings (1824-1893), titled “Boy Gazing at Hour Glass”, c. 1875. E.T Billings was a portraitist, having painted William Lloyd Garrison, Daniel Webster, and Oliver Wendell Holmes, Sr.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
'Abstract Composition' oil painting created in 1972 by Peter Robert Keil.
Brazilian 1960s abstract expressionist oil painting on board by Antonio Dias (Brazilian/German, b. 1944).
Modern Op Art oil painting, signed Richard M. David, dated 1973.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
Expressionist framed oil and pencil on paper painting titled 'Two Nudes', painted in 1962 by Peter Robert Keil in Palma.
Expressionist framed oil painting titled 'Spanish Lady', painted in 1972 by Peter Robert Keil in Palma.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
A framed and signed abstract expressionist oil painting depicting a 'Lady from New York'.
Abstract framed neo-expressionist portrait painting titled 'Pablo Picasso', painted by Peter Robert Keil.
A vibrant and colorful cubist oil on board in the manner of Roberto Montenegro, circa 1970.
Expressionist style oil painting "Christ Doomed" signed and dated 1959 by Joachim Probst (1913 - 1980)
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
An abstract framed portrait oil painting titled 'Abstract Face' painted by Peter Robert Keil.
American 20th century oil on canvas copy of a famous Guy Wiggins painting of a NYC snow storm.
A 1951 sined oil on canvas of a sad clown by Danish-born artist Philip Kran Paval.
An expressionist rendering of three wild horses by American artist William Meyerowitz (b.1887- d.1981).
Framed abstract style oil portrait titled 'The Blue Lady', made by Peter Robert Keil (b. 1942) in 1973, in his Palma Studio.
Modern signed Cubist painting in oil by Peter Keil, 'Abstract Face' dated 1975
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
Cubist oil painting signed 1972 portrait "Pablo Picasso with a Hat" by Peter Keil (b. 1942)
Julian Jackson paintings made of oil on board.
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
Expressionist framed oil portrait painting, created in 1979 by Peter Robert Keil in his studio on Rue de Turenne near the Place de la Bastille in Paris.
Romanticist 19th century painting of a woman with tigers, after Gabriel von Max.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Salavetti disc pendant in 18k white gold.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A pair of French lounge chairs by French designer Pierre Paulin, in their original pink fabric, circa 1970.
A Modernist cased glass hand-blown blue-green vase. Label on the side. In great vintage condition.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
An antique Louis XIV style console table in untreated wood.
Mid-Century 1950s Italian lamp in blue Murano glass by Seguso for Marbro Lamp Company
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Arne Jacobsen mid-century modern Swan Chair designed by Fritz Hansen for Knoll recently reupholstered in bright pink.
Giacometti table lamps in a matte white finish.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Organic Modern inspired amethyst on stepped silver plate base.
A vintage modernist chandelier in brass.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A pair of Barcelona chairs dating from ca.1970.
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