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HEIGHT: 37.5in (95cm) WIDTH: 22in (56cm) DEPTH: 6in (15cm)
Brass, Chrome, Marble
Late 20th Century
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
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A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A circa 1970’s copper sculpture depicting eucalyptus branches, anchored on a rock base.
Paris Arc de Triomphe de l'Étoile candleholder in a heavy dark metal.
Two-dimensional sculpture in the modern manner, depicting a maiden abducted by the minotaur.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
Brutalist style green patinated bronze sculpture of an abstract reclining nude.
Patinated bronze, height 14 1/2 inches and signed L. TUAILLON on the plinth in front of the horse’s left hind hoof.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
A vintage sculpture in bronze depicting two elephants in a landscape. The piece sits on a wood base. It is signed Robert Glen, 1976, 4/10.
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A Brutalist open work iron sculpture of a woman on a wooden base.
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
Contemporary modern sculpture 'Vigilance' depicting a lion in bronze by Rosetta, dated 1996.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
A vintage bronze sculpture by noted artist Lawrence Fane (1933-2008) and signed "Fane"in bronze.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
An abstract sculpture of multiple loops in metal. Original patina.
A Japanese Meiji bronze vase with an exceptionally detailed applied cast alligator.
A circa 1990's modern abstract sculpture, created by Curtis Jere, composed of dual sheets of brushed and polished steel, rendered into swirling 'ribbon' shapes, raised on a cylindrical black iron floor stand.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
A vintage Curtis Jere brass pinwheel wall sculpture.
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
A brass sculpture, influenced by Miao Hook tribal talismans of China.
Mid-20th century era abstract sculpture by Klaus Ilhenfeld (German, b. 1934-) crafted of bronze.
A Paul Evans style mid-century welded steel Brutalist sculpture.
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
A vintage mixed metal sculpture in the style of Curtis Jere with alabaster base.
A pair of Barcelona chairs dating from ca.1970.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Organic Modern inspired amethyst on stepped silver plate base.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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