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38"W X 13"D X 38"H
Mid 20th Century
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
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Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
A vintage copper sunburst wall-mounted sculpture made in the 1970's by Curtis Jere.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
A Brutalist bird sculpture with elongated beak, and brass feathers made by Maison Jansen, circa 1960.
A cast bronze Medallion done in 1927 by Gaston Lavrillier, depicting George Washington and General Lafayette.
This mixed metal Brutalist sculpture by Silas Seandel is torch cut and mounted on wooden base.
A Curtis Jere mixed-metal sunburst wall-mounted sculpture with colorful removable center, circa 1970.
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
A vintage circa 1960's abstract sculpture, created by sculptor Lewis Seiler, depicting two highly stylized rounded figures in bronze performing outstanding acrobatic feats, and deftly balanced on a black marble base.
This wall sculpture in the Brutalist Style is made of patinated brass.
A sculpture of an Egyptian funerary mask, possibly French in origin, produced in the early 1900s, with classically rendered bronze face
Brutalist 1970s abstract wall sculpture designed in the Silas Seandel manner
A bronze sculpture of a classical female marked on the base [Amodio Naples]. Amodio's studio specialized in crafting Fine replicas of classical works for the Grand Tour market. Despite minor scrapes and wear the sculpture remains in good condition.
A large mid-century modernist style patinated bronze sculpture of a stylized tall female torso.
Stainless steel & aluminum sculpture of a futuristic racing car by a known American artist, Daniel Fiorda; namely, from his series " Heavy Toys", where speed is reflected in the form of children’s toys that have been adapted to the adult psyche.
1970s mixed metals ice cream parlor with begging dog, cafe table and chairs and plant in pot. Signed in black script jasing.
A vintage Curtis Jere brass pinwheel wall sculpture.
A vintage mixed metal sculpture in the style of Curtis Jere with alabaster base.
Sculpture of a lion in patinated brass.
American Art Deco bronze sculpture by Robert Aitken depicting mother and child. 1920s.
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
A Mid-Century Modern Curtis Jere sculpture of a sandpiper mother hovering over her nest with three blue eggs.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
A brass Curtis Jere deer sculpture on an onyx base, signed C. Jere, and dated 1986.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
Intricate mixed metal and materials enameled and torch cut schoolhouse with American flag on pole and ringing school bell by Curtis Jere.
A Modern style sunburst wall sculpture signed C Jere 1987. In great vintage condition.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
A Mid-Century Modern flower cart sculpture made by Curtis Jere in copper and brass on a wooden platform during the 1960s-1970s.
A copper tree sculpture, mid-century, c. 1970’s in the manner of Curtis Jere.
Curtis Jere sculptures of flying seagulls on natural onyx bases
The sculpture is depicting a semi-nude slender girl who plays two flutes at the time to bewitch a snake, wriggling at her feet.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Giacometti table lamps in a matte white finish.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Organic Modern inspired amethyst on stepped silver plate base.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of Barcelona chairs dating from ca.1970.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
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