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DIAMETER: 33 in. (84 cm)
Mid century Modern
Mid 20th Century
A decorative plaster foot after the classical style.
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A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
A late 20th-century Brutalist mixed metal wall sculpture in a sunburst design inspired by Curtis Jere.
Brutalist wall sculpture in the style of Curtis Jere, abstract geometric mixed metals, comprising steel and brass.
A large vintage Russian sculptural medallion architectural element depicting a King surrounded by script. The piece is in good vintage condition with age appropriate wear; some scratches and loss of finish around back edge.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
Brutalist manner Curtis Jere wall mount sculpture, crafted of abstract curved wrought metal; signed.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
A vintage copper sunburst wall-mounted sculpture made in the 1970's by Curtis Jere.
An abstract creation produced circa 1960s, signed 'Sammy', the wall sculpture handcrafted of patinated brass.
Brutalist wall-mount sculpture by Curtis Jere, signed and dated depicting sailboats.
A vintage copper-toned metal wall mounted sculpture of the iconic Brooklyn Bridge. The piece is signed Curtis Jere and dated 1976.
1960s Sailing Ship wall hanging in the Manner of Curtis Jere, Brutalist style.
A large vintage brass wall mounted sculpture of a fan. The piece is by Curtis Jere. The piece is in good vintage condition with age appropriate wear; some scratches.
A Brutalist style abstract wall sculpture, designed in the manner of Curtis Jere, crafted of patinated geometric copper shapes.
French Empire sconces with swan motif in brass dating from the late 19th century.
A cast bronze depiction of the head of King Sargon, ruler of the Iraqi Akkadian Empire. Cast in the late 20th century.
Large Industrial style vintage door hinge made in brass, consisting of two functioning parts.
Circa 1950s vintage set of letters, "gas" originally used for a gas service station sign, produced in the United States.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Unique Guive Khosravi Smiling Mickey artwork inspired by street art, tattoos, and pop culture.
Signed mid-century modern 1960s wood-cut abstract by Allen Noonan, featuring geometric.
A very artfully arranged mixed metal wall sculpture produced in the style of Curtis Jere, depicting a charming country landscape with log cabin and young girl in the foreground.
Signed mid-century modern geometric abstract in wood, by Dan Miller comprising uniquely carved blocks.
Unique Guive Khosravi Smoking Space Man Robot artwork inspired by street art, tattoos, and pop culture.
A Mid-Century Modern brass wall sculpture in the style of Silas Seandel, in the shape of a large sunburst.
A wall sculpture composed of letterpress printing blocks, framed.
Wall sculpture in the Brutalist manner, signed (illegibly) and dated 1975, of abstract form, crafted of mixed metals.
Wall sculptures depicting unicorns cast in patinated copper.
A welded copper, iron and brass wall sculpture consisting of an assemblage of nails.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A wall mounted sculpture in the form of a nude male torso. The piece is done in iridescent glazed ceramic and fiberglass. Signed and dated on the reverse.
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
Metal alloy reproduction plaque from Benin, Nigeria, of three protruding male figures wearing helmets.
Wooden Oceanic tribal mask. Almond shaped and carved to look like a face with a protruding tongue.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Giacometti table lamps in a matte white finish.
Organic Modern inspired amethyst on stepped silver plate base.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of Barcelona chairs dating from ca.1970.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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