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Height: 35.5in (90cm) Width: 36in (91cm) Depth: 5.5in (14cm)
Late 20th Century
Marcello Fantoni singed Italian ceramic wall plaque.
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Signed mid-century modern geometric abstract in wood, by Dan Miller comprising uniquely carved blocks.
This copper sunburst wall sculpture is inspired by Curtis Jere designs.
Brutalist manner Curtis Jere wall mount sculpture, crafted of abstract curved wrought metal; signed.
Metal alloy reproduction plaque from Benin, Nigeria, of three protruding male figures wearing helmets.
A circa 1970’s Brutalist wall sculpture, comprised of mixed metal leaves against a background of artistically arranged welded nails.
French Empire sconces with swan motif in brass dating from the late 19th century.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
Signed mid-century modern 1960s wood-cut abstract by Allen Noonan, featuring geometric.
A vintage copper sunburst wall-mounted sculpture made in the 1970's by Curtis Jere.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A late 20th-century Brutalist mixed metal wall sculpture in a sunburst design inspired by Curtis Jere.
A decorative plaster foot after the classical style.
Brutalist wall-mount sculpture by Curtis Jere, signed and dated depicting sailboats.
Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
1970s Brutalist style wall-mounted sunburst sculpture, in the manner of Curtis Jere, crafted of mixed-metals.
An abstract creation produced circa 1960s, signed 'Sammy', the wall sculpture handcrafted of patinated brass.
A wall mounted sculpture in the form of a nude male torso. The piece is done in iridescent glazed ceramic and fiberglass. Signed and dated on the reverse.
A wall sculpture composed of letterpress printing blocks, framed.
Unique Guive Khosravi Smoking Space Man Robot artwork inspired by street art, tattoos, and pop culture.
Circa 1950s vintage set of letters, "gas" originally used for a gas service station sign, produced in the United States.
A welded copper, iron and brass wall sculpture consisting of an assemblage of nails.
A cast bronze depiction of the head of King Sargon, ruler of the Iraqi Akkadian Empire. Cast in the late 20th century.
A Curtis Jere patinated bronze plated brass and metal hot air balloon with festive flags and a wheeled cabin, reminiscent of Jules Verne or the Steampunk movement, circa 1970's.
A pair of sconces in the shape of crowns. Crafted in clear rock crystal beads on brass base with stars on the band and dangling plum colored drops.
Brutalist wall sculpture in the style of Curtis Jere, abstract geometric mixed metals, comprising steel and brass.
A Brutalist style abstract wall sculpture, designed in the manner of Curtis Jere, crafted of patinated geometric copper shapes.
A Modern style sunburst wall sculpture signed C Jere 1987. In great vintage condition.
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
1970s Silas Seandel Brutalist wall sculpture, of abstract form, crafted of hand-wrought mixed-metals, with enameled and gilt details.
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
Wall mount cow skull sculpture in blue.
A phenomenal pair of Brutalist mixed-metal relief plaques or wall-mounted sculptures with great texture and patina in the manner of Paul Vanders, circa 1970.
Wall sculptures depicting unicorns cast in patinated copper.
Brutalist 1970s mixed metal wall mount abstract sculpture by Silas Seandel, crafted of torch cut brass and copper.
A Mid-Century Modern brass wall sculpture in the style of Silas Seandel, in the shape of a large sunburst.
A pair of Barcelona chairs dating from ca.1970.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Organic Modern inspired amethyst on stepped silver plate base.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Giacometti table lamps in a matte white finish.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
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