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30 in.Hx36 in.Wx5 in.D
(76 cmHx91 cmWx13 cmD)
Mid Century lifelike brass hanging sculpture of a longhorn steer skull, c. 1960's.
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Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
A silver over bronze modernist figurative statue, in the style of Ernest Trova, c. mid 20th century, depicting a nude, arched, standing male gracefully balancing a kneeling nude female his torso.
A Brutalist abstract sculpture in iron on a wooden base in the style of artist Louise Bourgeois.
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
A Mid-century Modern sculpture of a crane by Curtis Jere, 1978, of nickel plated steel on round base.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
Erte sculpture titled "Les Bijoux de Perles" produced in the year of Erte's death 1990 by Sevenarts Ltd as a limited edition of 500.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on sculpture.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
A vintage free standing steel cityscape or skyline sculpture, designed in the style of Richard Serra consisting of five free-standing buildings.
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
A vintage Curtis Jere brass pinwheel wall sculpture.
A vintage bronze free form abstract sculpture on a marble base with acrylic wire detailing by Hattakitkosol Somchai (1934-2000), a Thai artist who specialized in bronze sculpture. The piece is signed "Somchai"and is number 6 out of an edition of 100.
A Brutalist style abstract sculpture in cast aluminum made in the 1960s by DCalvi. Plaque mounted on painted wood base marked 'DCalvi". Great original condition.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
Designed by Frederic Weinberg, a pair of vintage brass Etruscan horses cast flat and styled with organic patterns, mounted on rectangular bases.
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
Bust of a young women, crafted in aluminium and mounted on a black base.
This sculpture from the 1960s by Bill Lett depicts a Brutalist style silhouette of a charging bull.
A Paul Evans style mid-century welded steel Brutalist sculpture.
A vintage circa 1980's Kinetic sculpture by artist Dan Murphy with polished sheets in brass and chrome that represent abstract flame, on a Lucite base, with accent lucite sphere. Markings include the artist's signature, [Dan Murphy, 1989] engraved to the base of the chrome sheet. In a very good vintage condition, wear consistent with age.
Organic Modern inspired amethyst on stepped silver plate base.
A Brutalist open work iron sculpture of a woman on a wooden base.
Art Deco desk size sculpture in bronze by Rudolph Henn depicting a young boy and squirrel. 1920s.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of Barcelona chairs dating from ca.1970.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
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