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HEIGHT: 32 in. (81 cm) WIDTH: 6 ft. 6 in. (198 cm) DEPTH: 18 in. (46 cm)
Mid 20th Century
Credenza in pale walnut produced by White Furniture Co.
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French Louis XV style bombe commode, with breche d'alep marble top and gilt bronze mounts, embellished with paintings of the gallant scenes in the Vernis Martin style.
Mid-Century Modern era credenza by T.H. Robsjohn-Gibbings, manufactured by Widdicomb Furniture Co. circa 1950s.
Mid-Century modern credenza by Edward Wormley, manufactured by Dunbar circa 1950s, in rich mahogany, featuring basket weave front.
A commode designed by Samson Berman in teak with a white top. Artfully crafted with multiple drawers, doors and compartments. Some wear appropriate to age and use but in overall good vintage condition.
Scandinavian Modern 1970s Peter Lovig Nielsen credenza by Jens Quistgaard, two tambour doors.
A long buffet or credenza produced in mid-century Brazil and made of lacquered jacaranda wood.
French 1940s Art Deco credenza by Jules Leleu, in mahogany, three doors mounted with gilt bronze.
1970s credenza in the manner of Maitland-Smith, veneered in tessellated peach stone.
A vintage, circa 1950s wooden credenza on raised brass, designed by Paul McCobb for Calvin Furniture Co., including two three-panel doors, each with caning to the front, which open to reveal two drawers, above separated storage spaces. Markings include label [Calvin Grand Rapids/The Irwin Collection/designed by Paul McCobb], affixed to the interior left side drawer. Despite wear and spotting to the top brass frame, as well as some slight chipping to the wood body along the perimeter, and age appropriate patina to brass hardware, this piece is in overall good vintage condition.
Modern three door credenza in a glossy black lacquered body with decorative mirrored panels to the front and sides, framed by intricate fretwork and crescent moons.
A classic Mid-century Modern credenza designed by Arne Vodder for Sibast Furniture during the 1950s.
A vintage credenza or sideboard with raffia covered sliding doors and leather pulls. The piece is attributed to Florence Knoll. Vintage condition with wear commensurate with age and use; some loose veneer.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Organic Modern inspired amethyst on stepped silver plate base.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A pair of Barcelona chairs dating from ca.1970.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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