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HEIGHT: 6 ft. (183 cm) DIAMETER: 6 ft. 11 in. (211 cm)
David Barry Lewis
Mid 20th Century
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
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An oil on canvas painting of a reclining partially nude woman and two cats in an interior scene. The piece is signed and dated (1931) in the lower right. Fernand Gaston Longchamp was an impressionist and expressionist artist born in America to a French mother and Cayuga-Iroquois father. His family moved to France around the time of Gaston's birth and his father, an artist himself, was acquainted with many prominent artists in Paris such as Renoir, Signac and Seurat. Gaston would eventually apprentice with his father and became familiar with these artists himself. By fourteen he was working with painters in Montmartre and benefited from insights from Raoul Dufy, Georges Braque, Henri Matisse and others. He worked with Picasso painting stage designs for the Russian Ballet in 1911 and with Marc Chagall painting scenes for Stravinsky's Firebird. He briefly attended the Academie des Beaux Arts before returning to America in the 1920s where he would go on to become one of the foremost set designers in the United States. He set up a studio in Kintnersville, Bucks County, Pennsylvania where he worked prolifically until retiring in the 1970s. He passed away in 1986.
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
This signed painting by Francis Speight (American) is done in an Expressionist style.
An oil painting by Czechoslovakian born artist Jan de Ruth (1922-1991), entitled 'Red Drape', depicting an impressionist rendering of a female nude from the waist up, reclining gently to one side, a vermilion colored cloth wrapped around her hips. This work is a sublime example of the artist's skilled brushwork and ability to capture physical form and expression within his studies of female nudes. Painting comes in wood frame with carved gilt foliage. Markings include the artist's signature to the lower right corner, [Red Drape] to the reverse; plaque with artist's name to front. Very good condition, consistent with age.
This pair of English Romanticism seascapes are are both signed illegibly by the same master.
Modern abstract 1970s portrait by Peter Keil, titled 'Subway Exit, New York, USA'
Cubist oil painting signed 1972 portrait "Pablo Picasso with a Hat" by Peter Keil (b. 1942)
Futurist 1920s painting, depicting geometric figures, within an arched five-sided frame.
Signed cubist manner portrait 'Palma' in oil by Peter Keil (b. 1942)
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
An abstract oil on canvas painting title "Topsy Turvey"in vibrant blues and reds. The piece is signed and dated by artist jean Sampson
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
This outstanding Baroque oil on canvas painting in a period frame is a wonderful work of art by a Spanish or Italian old master depicts a beautiful young noble beauty in a XVII century attire.
A 1951 sined oil on canvas of a sad clown by Danish-born artist Philip Kran Paval.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
Oil painting entitled "The Inlet" by New York artist and illustrator Albert Sway (1913-2003) in 1949.
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
Signed still life by American artist John F. Folinsbee (American, 1892-1972), produced 1960s, featuring a blue pitcher with flowers.
1900s oil painting by Carleton Wiggins depicting an impressionist landscape with sheep grazing
Expressionist style oil painting "Christ Doomed" signed and dated 1959 by Joachim Probst (1913 - 1980)
Painting in oil on unlined canvas by Michel Rodde (French, 1913-2009) entitled "Hommage A Paris" from the 1970's. Michel Rodde was an acclaimed French artist who received honors and prizes worldwide for his work. He is most recognized for his Modern Impressionist style.
John Konstantin Hansegger oil painting of a rooster; c 1950’s.
Pop art oil painting 'Friends' by Beatricia Sagar, signed and dated 1966.
An oil on canvas painting titled "The Jazz Singer"by Belgian artist Frans Siaens. The piece is signed in the lower left.
A painting by American Artist Edwin T. Billings (1824-1893), titled “Boy Gazing at Hour Glass”, c. 1875. E.T Billings was a portraitist, having painted William Lloyd Garrison, Daniel Webster, and Oliver Wendell Holmes, Sr.
An oil on canvas painting by American artist Mildred Crooks entitled "Lady of the Night"and signed in the upper left corner. Mildred Crooks was born in Chicago in 1899 and worked in commercial arts in Chicago before moving to New York City. She Studied in Paris for a time and had an atelier there as well as in Cannes and exhibited regularly in Paris and New York. She painted throughout her life and exhibited all over the world before passing away in 1972.
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
Assemblage painting; "Flagelation"oil on heavy gessoed arches paper by Ross Neher, an exhibited re-emerging artist.It is authenticated by the artist and signed verso.
1915 dated oil landscape in the Impressionist manner by American artist Ben Austrian (1870 - 1921); signed
Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
Modern abstract 1973 portrait 'My Friend Pablo Picasso' by Peter Keil, oil in tones of grey
20th century modern oil painting signed by French artist Jean Luc, depicting Henri Rousseau style jungle setting with animals congregating.
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Organic Modern inspired amethyst on stepped silver plate base.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A pair of Barcelona chairs dating from ca.1970.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
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