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HEIGHT: 6 ft. (183 cm) DIAMETER: 6 ft. 11 in. (211 cm)
David Barry Lewis
Mid 20th Century
French Expressionist still life oil painting, created by Polish-French artist Gustave Penzyna (1882-1938) in his Paris atelier on 16 Rue du Saint Gothard in 1928.
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This outstanding Baroque oil on canvas painting in a period frame is a wonderful work of art by a Spanish or Italian old master depicts a beautiful young noble beauty in a XVII century attire.
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
John Konstantin Hansegger Columbia County plein air impressionist painiting of a snow scene.
A framed abstract style portrait, illegibly titled on the back, made by Peter Robert Keil (b. 1942) in 1967 in his Berlin studio.
George Loring Brown (American 1814-1889) 'Sunset, Bay of Naples' oil on canvas painting created in 1877 and depicting the distant view of mount Vesuvius in the background, with the bay and city of Naples to the left and Virgil's tomb ruins on the right side.
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
A framed and signed abstract expressionist oil painting depicting a 'Lady from New York'.
An abstract oil on canvas painting entitled "Scattering Stars"by American artist Jean Sampson. The piece is rendered in deep blue shades with splashes of red and yellow.
Framed abstract style oil portrait titled 'Lady Love From Spain', made by Peter Robert Keil (b. 1942) in 1967 in his Paris studio.
An early 20th century oil on wood panel portrait painting by German artist Franz Xavier Wolfle (1887-1972) titled 'Man With Box in Hand Wearing Wine Color Top Hat'.
A three-panel folding screen dating from the late 19th century. Crafted in the French Régence style with giltwood frame carved with foliate diaper pattern on the bottom.
Expressionist framed oil portrait painting titled 'Portrait of My Friend Pablo Picasso', painted in 1972 by Peter Robert Keil in Palma.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
A vintage abstract painting of blue, white, and grey shapes in bold brush strokes. Oil on board.
Expressionist framed oil painting titled 'Spanish Lady', painted in 1972 by Peter Robert Keil in Palma.
A figurative signed and framed portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
Abstract framed neo-expressionist portrait painting titled 'Pablo Picasso', painted by Peter Robert Keil.
An Art Deco style oil on canvas painting of a couple in a boat. The canvas is laid down on a thin plywood panel
Expressionist framed painting in oil of an abstract face's, painted in 1964 by Peter Robert Keil.
An oil on canvas painting of a reclining partially nude woman and two cats in an interior scene. The piece is signed and dated (1931) in the lower right. Fernand Gaston Longchamp was an impressionist and expressionist artist born in America to a French mother and Cayuga-Iroquois father. His family moved to France around the time of Gaston's birth and his father, an artist himself, was acquainted with many prominent artists in Paris such as Renoir, Signac and Seurat. Gaston would eventually apprentice with his father and became familiar with these artists himself. By fourteen he was working with painters in Montmartre and benefited from insights from Raoul Dufy, Georges Braque, Henri Matisse and others. He worked with Picasso painting stage designs for the Russian Ballet in 1911 and with Marc Chagall painting scenes for Stravinsky's Firebird. He briefly attended the Academie des Beaux Arts before returning to America in the 1920s where he would go on to become one of the foremost set designers in the United States. He set up a studio in Kintnersville, Bucks County, Pennsylvania where he worked prolifically until retiring in the 1970s. He passed away in 1986.
Mid-20th century oil in the Impressionist manner by artist Henryk Dzienczarski, depicting boys playing in a cave
“Puffy Sleeved Woman”, oil on canvas, c. 1830’s, by unknown artist, a beautifully rendered portrait of a wealthy female subject adorned with jewels and holding a book.
An Op Art oil on canvas painting with bright colors in the manner of Victor Vasarely, circa 1970.
Abstract neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil. O
An abstract framed neo-expressionist portrait painting titled 'Matador', painted by Peter Robert Keil.
Futurist 1920s painting, depicting geometric figures, within an arched five-sided frame.
Produced circa 1960s by Italian artist Remo Farruggio oil on canvas entitled ‘Fantasy,’ depicts a sundry of bright geometric shapes against a mottled, multicolored field.
An abstract painting in black, red, purple and blue on white background. The piece is by American artist Sally Turner and initialed S.T. in the lower right.
Abstract neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
Abstract oil painting titled 'Spanish Woman', painted in 1978 by Peter Robert Keil in Palma.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
This signed portrait of a man by Harry Elsas from the 20th Century in a gilded frame.
Op Art, black and white zebra pattern oil on canvas in the manner of Victor Vasarely, painted circa 1980.
An abstract oil portrait of 'Lady With A Hat' by German artist Peter Keil, signed and dated.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
An antique Louis XIV style console table in untreated wood.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
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