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HEIGHT: 6 ft. (183 cm) DIAMETER: 6 ft. 11 in. (211 cm)
David Barry Lewis
Mid 20th Century
Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
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Modern 1950s still life in the Fauvist manner by Dorothy Finley (American, 20th Century), with goblet, pitcher and scattered oranges; signed.
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
An oil on board by Panamanian artist Chong Neto, depicting an abstracted and sensual reclining female nude; includes giltwood frame. Markings include artist's signature and date [Chong Neto/'66] to the lower right corner. Very good condition, wear consistent with age.
Mid-Century Modern 1970s signed oil painting 'Nina con Jaula' (Girl with a cage) by Alejandro Camarena (Mexican, 1942-2011)
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Signed still life by American artist John F. Folinsbee (American, 1892-1972), produced 1960s, featuring a blue pitcher with flowers.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
Modern abstract 1970s portrait by Peter Keil, titled 'Subway Exit, New York, USA'
Signed and dated oil on board expressionist painting 'Small Devil' by Peter Robert Keil (b. 1942).
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
An antique 19th Century oil on board portrait of two dogs by listed French artist C. M. R. Schreiber
An expressionist rendering of three wild horses by American artist William Meyerowitz (b.1887- d.1981).
Cubist oil painting signed 1972 portrait "Pablo Picasso with a Hat" by Peter Keil (b. 1942)
Signed by Ernest Fiene and dated 1921 in the front lower right corner, this oil on board painting and depicts a small Connecticut village by a lake.
Modern Op Art oil painting, signed Richard M. David, dated 1973.
Large oil on canvas painting by renowned artist George Earl of a St. Bernard named “Tell”. This is one in a series of dog paintings done by the artist. Listed in William Secord’s book “Dog Painting: The European Breeds”. The elaborate frame is finished in gold leaf.
A 1951 sined oil on canvas of a clown by artist Philip Kran Paval.
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
This signed portrait of a man by Harry Elsas from the 20th Century in a gilded frame.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
An oil painting by Czechoslovakian born artist Jan de Ruth (1922-1991), entitled 'Red Drape', depicting an impressionist rendering of a female nude from the waist up, reclining gently to one side, a vermilion colored cloth wrapped around her hips. This work is a sublime example of the artist's skilled brushwork and ability to capture physical form and expression within his studies of female nudes. Painting comes in wood frame with carved gilt foliage. Markings include the artist's signature to the lower right corner, [Red Drape] to the reverse; plaque with artist's name to front. Very good condition, consistent with age.
Pop art oil painting 'Friends' by Beatricia Sagar, signed and dated 1966.
Brazilian 1960s abstract expressionist oil painting on board by Antonio Dias (Brazilian/German, b. 1944).
A beautifully rendered portrait in profile entitle “The Artistocrats”, by American artist Stella C. Condon, singed lower right and dated 1913, in a period frame.
An oil on canvas painting by Rene Schmitt, signed in lower left, depicting a colorful scene of buildings in New York
A 1951 sined oil on canvas of a sad clown by Danish-born artist Philip Kran Paval.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
This pair of English Romanticism seascapes are are both signed illegibly by the same master.
Expressionist manner signed oil painting titled 'Laugh, Clown' a.k.a. 'Agony of a Clown' by Ken Nishi.
A signed original post-impressionist oil on canvas by artist Marcel Roche (French, 1890-1959), depicting a colorful theatrical couple surrounded by vibrantly rendered flowers. Signed lower left.
Expressionist portrait "The Blue Lady" oil paint on poster board by Peter Keil (German, b. 1942), signed and dated 1985.
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
A vintage pair of teak side chairs with white linen seats and cane backs.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
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