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HEIGHT: 6 ft. (183 cm) DIAMETER: 6 ft. 11 in. (211 cm)
David Barry Lewis
Mid 20th Century
A 1951 sined oil on canvas of a clown by artist Philip Kran Paval.
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Expressionist oil portrait painting, created by Peter Robert Keil in his studio in Berlin.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Produced circa 1960s by Italian artist Remo Farruggio oil on canvas entitled ‘Fantasy,’ depicts a sundry of bright geometric shapes against a mottled, multicolored field.
American 20th century oil on canvas copy of a famous Guy Wiggins painting of a NYC snow storm.
Hungarian modernist rabbinical Judaica Expressionist oil and tempera portrait painting, attributed to Hugo Scheiber.
Expressionist framed painting in oil of an abstract face's, painted in 1964 by Peter Robert Keil.
Continental European early 19th century oil painting depicting a portrait of a man wearing clerical dress.
Expressionist framed oil painting titled 'Spanish Torero', painted in 1974 by Peter Robert Keil in Palma.
Flemish School still life painting rendered in oil paint on board.
Cubist oil painting signed 1972 portrait "Pablo Picasso with a Hat" by Peter Keil (b. 1942)
Modern abstract 1973 portrait 'My Friend Pablo Picasso' by Peter Keil, oil in tones of grey
The piece was painted in the United States in 1925 by famed American painter and illustrator Edmund Franklin Ward (1892-1990)
Baroque period small framed oil on canvas mounted on wood panel South American portrait of Saint Ignacio, depicting the saint in full body size in an embroidered ecclesiastical vestment holding a religious volume.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
An expressionist rendering of three wild horses by American artist William Meyerowitz (b.1887- d.1981).
Brazilian 1960s abstract expressionist oil painting on board by Antonio Dias (Brazilian/German, b. 1944).
Abstract framed neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
A modern Italian oil on canvas painting of a young man, by artist Fabrizio Campanella, painted in circa 1980.
Expressionist framed oil and pencil on paper painting titled 'Two Nudes', painted in 1962 by Peter Robert Keil in Palma.
An abstract framed portrait oil painting titled 'Madame' painted by Peter Robert Keil.
Signed cubist manner portrait 'Palma' in oil by Peter Keil (b. 1942)
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
French Expressionist still life oil painting, created by Polish-French artist Gustave Penzyna (1882-1938) in his Paris atelier on 16 Rue du Saint Gothard in 1928.
This signed portrait of a man by Harry Elsas from the 20th Century in a gilded frame.
A framed and signed abstract expressionist oil painting depicting a 'Lady from New York'.
An oil on canvas painting by American artist Mildred Crooks entitled "Lady of the Night"and signed in the upper left corner. Mildred Crooks was born in Chicago in 1899 and worked in commercial arts in Chicago before moving to New York City. She Studied in Paris for a time and had an atelier there as well as in Cannes and exhibited regularly in Paris and New York. She painted throughout her life and exhibited all over the world before passing away in 1972.
Expressionist portrait oil on board by Peter Keil (b. 1942), "Trocadero Bar" a.k.a. "Young Gay Man". Signed and dated 1983
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
Modern abstract 1970s portrait by Peter Keil, titled 'Subway Exit, New York, USA'
An abstract framed neo-expressionist portrait painting titled 'Matador', painted by Peter Robert Keil.
Expressionist framed oil portrait painting, created in 1979 by Peter Robert Keil in his studio on Rue de Turenne near the Place de la Bastille in Paris.
Baroque portrait of an English lady dating from circa 18th century in a gilded frame.
An Op Art oil on canvas painting with bright colors in the manner of Victor Vasarely, circa 1970.
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
American Gilded Age oil on canvas painting by renown illustrator and printer Benjamin Henry Day Jr.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An antique Louis XIV style console table in untreated wood.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
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