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HEIGHT: 23 in. (58 cm) WIDTH: 12.5 in. (32 cm) DEPTH: 3 in. (8 cm)
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
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Brutalist style green patinated bronze sculpture of an abstract reclining nude.
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
A mid-century bronze sculpture depicting an Egyptian styled cat.
Contemporary modern sculpture 'Vigilance' depicting a lion in bronze by Rosetta, dated 1996.
A vintage free standing steel cityscape or skyline sculpture, designed in the style of Richard Serra consisting of five free-standing buildings.
Bust of a young women, crafted in aluminium and mounted on a black base.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
A cast bronze Medallion done in 1927 by Gaston Lavrillier, depicting George Washington and General Lafayette.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
A vintage Curtis Jere brass pinwheel wall sculpture.
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
This free standing sculpture was designed by renowned Curtis Jere in 1977. It is composed of metal birds in flight; mounted on a marble base. This piece has been signed and dated. The piece is in good vintage condition. Reduced From: $1,750
Mid Century lifelike brass hanging sculpture of a longhorn steer skull, c. 1960's.
A vintage cattail table-top sculpture in patinated brass.
A Brutalist bird sculpture with elongated beak, and brass feathers made by Maison Jansen, circa 1960.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
American Art Deco bronze sculpture by Robert Aitken depicting mother and child. 1920s.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
A copper tree sculpture, mid-century, c. 1970’s in the manner of Curtis Jere.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
The sculpture is depicting a semi-nude slender girl who plays two flutes at the time to bewitch a snake, wriggling at her feet.
A bronze sculpture of a classical female marked on the base [Amodio Naples]. Amodio's studio specialized in crafting Fine replicas of classical works for the Grand Tour market. Despite minor scrapes and wear the sculpture remains in good condition.
A modern pair of bronze sculptures of a duo of dancers in movement, sculpted in an Expressionist figurative manner and fixed atop circular bronze bases.
A mixed metal oil derrick comprised of torch cut and welded metal to form the rig. Fitted with various detailed ladders and scaffolds.
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
This sculpture from the 1960s by Bill Lett depicts a Brutalist style silhouette of a charging bull.
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Giacometti table lamps in a matte white finish.
Salavetti disc pendant in 18k white gold.
A Modernist cased glass hand-blown blue-green vase. Label on the side. In great vintage condition.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Mid-Century 1950s Italian lamp in blue Murano glass by Seguso for Marbro Lamp Company
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A vintage modernist chandelier in brass.
A pair of Barcelona chairs dating from ca.1970.
Organic Modern inspired amethyst on stepped silver plate base.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
An antique Louis XIV style console table in untreated wood.
A pair of French lounge chairs by French designer Pierre Paulin, in their original pink fabric, circa 1970.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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