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HEIGHT: 23 in. (58 cm) WIDTH: 12.5 in. (32 cm) DEPTH: 3 in. (8 cm)
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
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A Brutalist abstract sculpture made from welded car bumpers by Jason Seley (1919-1983), sculptor and dean of the Cornell University College of Architecture, Art and Planning. Excellent original condition, with some wear of age. Serial number etched in.
A vintage sculpture in bronze depicting two elephants in a landscape. The piece sits on a wood base. It is signed Robert Glen, 1976, 4/10.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A bronze sculpture by William J. Sewell of a nude woman. Very good condition, natural patina, signed and dated 1946.
A vintage bronze sculpture of a female figure. the piece has abstracted features and a "rough"finish. -Reduced from $1500
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
Ram head bust sculpture in polished brass.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on sculpture.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
A circa 1990's modern abstract sculpture, created by Curtis Jere, composed of dual sheets of brushed and polished steel, rendered into swirling 'ribbon' shapes, raised on a cylindrical black iron floor stand.
Brutalist style green patinated bronze sculpture of an abstract reclining nude.
Art Deco bronze sculpture by Opus-Cellini depicting a female nude from 1930s.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
Erte sculpture titled "Les Bijoux de Perles" produced in the year of Erte's death 1990 by Sevenarts Ltd as a limited edition of 500.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
A vintage mixed metal sculpture in the style of Curtis Jere with alabaster base.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
This sculpture from the 1960s by Bill Lett depicts a Brutalist style silhouette of a charging bull.
American Art Deco bronze sculpture by Robert Aitken depicting mother and child. 1920s.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
A Brutalist style sculpture, created by Adolfo Passarella in the 1960's, in patinated bronze, on a square black laminate base, highly abstract, organic and bulbous design. The artist signature and date [PASSARELLA ADOLFO 1966] on the bottom of the sculpture. In very good condition, wear consistent with age and prior use.
A monumental patinated and gilt bronze candelabra (gas lamp), produced circa 1880s by Henri Vian, with a sculptured cherub on an ormolu mounted marble pedestal.
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
The sculpture is depicting a semi-nude slender girl who plays two flutes at the time to bewitch a snake, wriggling at her feet.
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
A mid-century torch-cut steel sculpture in brutalist manner.
A vintage bronze sculpture mounted on black stone base by Brazilian artist Heloisa Dolabella. Her large public works are displayed throughout Rio and other parts of Brazil and she has been exhibited in museums throughout the world. The plaque on the stone base bears the anglicized version of her name
A pair of Barcelona chairs dating from ca.1970.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Organic Modern inspired amethyst on stepped silver plate base.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Giacometti table lamps in a matte white finish.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
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