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HEIGHT: 16 in. (41 cm) DIAMETER: 16 in. (41 cm)
Mid 20th Century
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
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Designed by Frederic Weinberg, a pair of vintage brass Etruscan horses cast flat and styled with organic patterns, mounted on rectangular bases.
A vintage bronze sculpture of a female figure. the piece has abstracted features and a "rough"finish. -Reduced from $1500
Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
A vintage sculpture in bronze depicting two elephants in a landscape. The piece sits on a wood base. It is signed Robert Glen, 1976, 4/10.
A vintage cattail table-top sculpture in patinated brass.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
A vintage Curtis Jere brass pinwheel wall sculpture.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
This wall sculpture in the Brutalist Style is made of patinated brass.
A bronze sculpture by William J. Sewell of a nude woman. Very good condition, natural patina, signed and dated 1946.
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
A monumental patinated and gilt bronze candelabra (gas lamp), produced circa 1880s by Henri Vian, with a sculptured cherub on an ormolu mounted marble pedestal.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
A circa 1970’s copper sculpture depicting eucalyptus branches, anchored on a rock base.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
Contemporary modern sculpture by Cheryl Farber Smith, abstract geometric form in metal; signed.
This mixed metal Brutalist sculpture by Silas Seandel is torch cut and mounted on wooden base.
A Brutalist abstract sculpture in iron on a wooden base in the style of artist Louise Bourgeois.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
Mid Century lifelike brass hanging sculpture of a longhorn steer skull, c. 1960's.
A Paul Evans style mid-century welded steel Brutalist sculpture.
A 1970’s posthumously cast bronze sculpture of a voluptuous female torso by Aristide Maillol (French, 1861-1944).
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on right shoulder.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A vintage pair of teak side chairs with white linen seats and cane backs.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
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