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Dimensions of Each Figure in Descending Order: 1) 24" H x 7" W x 7" D 2) 21" H x 7" W x 7" D 3) 18.5" H x 7" W x 7" D 4) 17" H x 6" W x 5" D
Carved Wood, Lacquered
Mid-Century era pair of sculptural Indian elephants, embossed silver sheet.
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An antique Japanese comic demon mask, Edo Period (1603 - 1868) c. 19th Century. This rare Buaku Kyogen mask was used in short, humorous skits within the Noh Dramas.
An antique Japanese bronze sculpture of a horse. The piece dates from the Meiji Period.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
An antique Japanese bronze sculpture depicting an old man with walking staff. The piece dates from the Meiji period (1868-1912).
Pair of Japanese Edo period 'Musha Ningyo' or 'Warrior Dolls' of a samurai with an attendant.
Arrangement of fifteen Japanese 19th century Buddhist Temple flowers in lacquered gold.
A large Chinese bronze figure of a sitting Quan Ying in multicolored cloisonne enamel. Chinese mark on the back.
Japanese Meiji period pair of gamecocks, early 1900s, in bronze with silver gilt finish.
A Japanese Meiji Period late 19th, early 20th Century carved boxwood turtle okimono
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
Chinese Soapstone Carving of a Buddhist Mountain Scene, 20th Century. With a wooden base titled, "The Boulder." .
A rare Kyogen theater mask from the Japanese Edo Period, depicting a Nio Guardian King, 19th century, brilliantly carved and layered in oyster shell lacquer.
Chinese late 19th century bronze foo dog sculpture repurposed as a lamp, on base in ebonized wood.
Japanese Meiji period geisha figure in clay, crafted late 19th – early 20th century.
This Musha Ningyo (Boys' Day Figure) is very rare for its size.
A skillfully carved sculpture of scholars traveling through a mountain, rendered in white jadeite on a wood base.
Early 20th century Chinese model of a battleship in mixed-metals, on a carved wood stand.
A pair of 19th century Chinese bronze cloisonne enamel elephant incense burners.
A pair of vintage Chinese horse-form incense holders in brightly colored cloisonne.
A large 19th century Chinese carved jade mountain with Buddhas, birds and trees. Custom made wooden base. Excellent condition.
A beautifully intricate carving rendered in white jade, depicting a mountain with sixteen ‘Budai’ (laughing Buddha) figures, among flora and fauna.
A Japanese carved and gilt wood Buddha figure Amida Nyorai (Buddha Amitabha), 15th C. Sengoku Cypress wood with traces of pigment and lacquer gold leaf. Standing on a lotus and a gold lacquer Zishi . This important masterpiece is exquisitely caved. From the draping of the robes and the beautiful face and head. This important museum quality is a very rare find. This statue of Amida (Sanskrit Amitabha Buddha), the Buddha of the Western Paradise, performs the gesture of teaching (vitarka mudra) with both hands. In East Asia, these gestures signify Amida's welcoming descent from heaven(raigo) to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 12th century and were placed near the deathbed of a devotee so that he or she could see it. The statue has age appropriate wear. There are small chips to the robe's surface and the figure is missing its pinky and index finger.
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
Produced around the late 19th century, this Chinese stone grinding wheel or millstone, is displayed on a beautiful iron decorative stand.
Pair of antique sculptural earthenware ducks, of Asian origin, each polychrome glazed.
Square Japanese Sake Bottle finely detailed with a hand painted Fish.
Burmese wood carving depicting a sculptural horse head, produced within the 19th century.
Terracotta female Haniwa head produced during the Kofun or Tumulus period in 3rd to 4th century Japan.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
Bronze Antique Burmese (Myanamar) Sculpture of Bell Ringers. Good vintage condition with age appropriate patina
Japanese Edo period pair of dolls, Emperor and Empress in the Hina Kokin-bina manner.
Japanese Meiji era Iki Ningyo 'Living Doll' manufactured late 19th to early 20th century.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A vintage pair of teak side chairs with white linen seats and cane backs.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
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