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8 in.H x 17 in. W x 5 in. D
20 cm H x 43 cm W x 13 cm D
Bernard Langlais sculpture of a seated female nude crafted in bronze; number four of eight limited edition sculptures produced in 1993.
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A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
A cat sculpture on a long rectangular base. Made up of Minimalist geometric forms with a black glossy finish
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
A 1940s Modernist sculptural "machine" with clear Lucite gears and case on a metal base.
A unique and ambitious rendering of a pair of Futurist styled male and female sculptures, circa 1970’s.
A modern pair of bronze sculptures of a duo of dancers in movement, sculpted in an Expressionist figurative manner and fixed atop circular bronze bases.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
An abstract limestone sculpture on a base of welded steel. Very good original condition. Indoor/outdoor use. Made by a Japanese artist in the U.S., unsigned, was part of an important sculpture collection.
This circa 1970s sculpture by East Hampton artist Phyllis Hammond, depicts a highly unique abstract form in multi-toned clay; detached from base.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
Modern cast aluminium menorah by Oded Halahmy, titled 'Light For Morocco', created in 2011.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
This Art Deco Marcel-Andre Bouraine sculpture is of a partially clothed woman.
Cast iron candelabras in the shape of G.I. Joe action figures in the nude with stretched out arms, created by California artist Joel Otterson (b. 1959) in circa 1992.
Japanese Meiji period lacquered sculpted wood Buddha figure seated on an elaborately carved lotus throne with a mandorla in the back.
A carved stone sculpture with 4 faces by Mexican School artist Jose de Creeft. Possibly made in the 1930s - 1940s. Signed in stone "J de C".
Modern bronze and cast aluminum menorah by Oded Halahmy, titled 'Archway Holding Palm', created in 2010.
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
Modernist style statue inspired by the 1931 Suprematist 'Sportsmen' painting by Russian Modernist artist Kazimir Malevich, painted in a bold selection of colors.
A bronze sculpture by Edward J. Walsh (b. 1944, American) of a figurative sculpture stretching her arms, atop a white marble base.
A wooden ram sculpture covered in real rams wool with a Composite face with glass eyes and faux horns.
Brutalist abstract wall sculpture in welded metal with a gilt patina, created by American sculptor and designer Silas Seandel (b. 1937).
Gracefully abstract sculpture, composed of carved, frosted and textured Lucite, sits atop an illuminating metallic toned pedestal, circa 1970-1980.
An elegant modernist sculpture of a robed standing female, carved in unstained wood, and attributed to Albert Wein (American, 1915-1991).
Oded Halahmy sculpture titled 'Omer Shalom Oseh Shalom' crafted in cast aluminum and bronze.
An Art Deco hammered copper sculpture of a nude woman wading through water and carrying two fish in the style of Hagenauer.
A set of 3 carved walnut wall sculptures made by Tannley in Rhode Island in the 1979. Very good condition, no chips or major scratches. Each piece signed and dated on back 'Tannley 1979'
A circa 1970's modernist sculpture of abstracted and stylized seated female nude figure carved in rouge marble, in the manner of sculptor Claire McArdle.
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
Modern cast aluminum menorah by Oded Halahmy, titled 'Chanukiah', created in 1991.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
Italian 1960s Murano glass Livio Seguso sculpture, titled 'Two Faces of the Moon'; signed
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
An antique Louis XIV style console table in untreated wood.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
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