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HEIGHT: 18 in. (46 cm) WIDTH: 18 in. (46 cm) DEPTH: 4 in. (10 cm)
Oded Halahmy sculpture titled 'Carrying Lights' in aluminum cast.
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Bernard Langlais sculpture of a seated female nude crafted in bronze; number four of eight limited edition sculptures produced in 1993.
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
Four beautifully carved wooden sculptures depicting Myanmar monks (formerly Burmese) holding offering bowls. Intricately detailed and finished in red lacquer, these figures were produced during the 20th century.
A unique and ambitious rendering of a pair of Futurist styled male and female sculptures, circa 1970’s.
American Brutalist abstract female nude sculpture made by Austin Productions.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
Abstract Expressionist bronze sculpture created circa 1960's by Greece-born New York artist George Koras (b. 1925), depicting an abstracted figure of a woman reading.
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
Modern cast aluminium menorah by Oded Halahmy, titled 'Light For Morocco', created in 2011.
An amazing automaton titled, "Consensus 2013," which is the brain child of businessman and investment guru Sam Zell
Abstract Brutalist bronze sculpture created by Spanish abstract sculptor Pablo Serrano (1908-1985).
Abstract modern 1990s African 'Shona' sculpture, signed Edmore Makotore, in black marble.
German Jugendstil period amphora in neoclassical revival style, in brass repousse inside and outside, with bronze handles, legs, figures and sculpted bronze plaques,
French Art Deco period sculpture of a female dancer cast in bronze, atop a marble base
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
Murano glass sculpture of a boy in a turban, standing on a base, hand-blown in multicolored glass, with the inclusion of gold flecks. Signed ‘Gino Cenedese’ on the bottom.
A Brutalist bird sculpture with elongated beak, and brass feathers made by Maison Jansen, circa 1960.
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
Oded Halahmy sculpture titled 'Omer Shalom Oseh Shalom' crafted in cast aluminum and bronze.
Thai antique gilded and mirrored bronze Buddha statue from the 18th century, atop a wooden base.
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
A welded copper, iron and brass wall sculpture consisting of an assemblage of nails.
Edward J. Walch (b. 1944, American) sculpture in nickel-plated bronze.
A Mixmaster blender by Sunbeam, circa 1940s, converted into a neon light sculpture in the 1980s.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A 1940s Italian enameled tole wall hanging or wall-mounted sculpture of a lemon tree mounted in a silver pot.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Modern abstract bronze cast sculpture by Oded Halahmy, created in 1993.
A Mid-Century Modern brass wall sculpture in the style of Silas Seandel, in the shape of a large sunburst.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
A cast bronze depiction of the head of King Sargon, ruler of the Iraqi Akkadian Empire. Cast in the late 20th century.
Japanese Meiji period lacquered sculpted wood Buddha figure seated on an elaborately carved lotus throne with a mandorla in the back.
Curtis Jere wall-mounted sculpture in the shape of a tree branch.
A Mid-century acrylic box optic light sculpture signed and dated by Neal Small, 1969, constructed with acrylic sheets suspended to form a prism within the light box base.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
An antique Louis XIV style console table in untreated wood.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
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