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HEIGHT: 18 in. (46 cm) WIDTH: 30 in. (76 cm) DEPTH: 1.5 in. (4 cm)
Early 20th Century
Modern 1970s mirror, octagonal frame in lacquered faux goatskin
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A large pair of vintage beveled wall mirrors, with arrow tipped mitered tops.
George III period wall mirror in gesso and giltwood.
Hollywood Regency style wall mirror bordered with reverse hand-painted panels and mirrored panel shadow box frame.
Italian 1940s Venetian mirror in the Hollywood Regency manner, with etched decoration.
A distressed, mixed-metal round wall mirror in the Brutalist style of Silas Seandel, circa 1970’s.
This bronze Oscar Bach wall mirror features a Bacchus mask as well as vines with grape bunches around the bottom corners.
Giltwood mirror in the empire style from the early 20th Century.
Arts & Crafts movement triangular wall coat rack.
Jean Royere style black iron mirror with 18K gold leaf ball accents.
A circa 1950's pair of square mirrors reverse painted and etched with flower basket design.
A dramatic, large scale, currently produced rectangular wall mirror, in a bold frame consisting of inset curved mirrored panels.
Venetian mirror crowned with a scrolling crest and beveled edges.
A Brazilian mid-century modern wall mirror from Brazilian designer Sergio Rodrigues’ “Cuiaba” series in lacquered jacaranda wood.
A mirror in a teak organically shaped asymmetrical frame, produced during the 1960s.
This Art Deco style floral wall mirror, produced within the Mid-Century period, circa 1940s-1950s, includes artfully beveled mirrored petals, in clear and copper tones, accented by metallic rosettes and surrounding a central round mirror, affixed to a wooden base. Very good vintage condition, with presence of age appropriate wear to wood back and metal hardware.
English 19th century Victorian era hall tree and mirror, classical brass frame.
A giltwood mirror in a carved oval frame. Crafted to look like a double frame connected by winding vine with flowers
Hollywood Regency mirror with etched border and chrome accents.
A rectangular wall mirror in a black painted frame.
A 1950s Mid-century Italian brass shield wall mirror.
A Modernist Italian wall mirror by Regianni, featuring 6” deep circular convex mirror with chrome frame, c 1970’s.
A large vintage mirror in the style of Karl Springer, set into a wood frame with tessellated bone veneer. Made in the United States, this piece has age appropriate wear withsome loss of veneer near edge.
Mid-20th century era Hollywood Regency Venetian octagonal mirror, frame detailed with floral motifs
A pair of late 18th century (circa 1790’s - 1820’s) Venetian mirrors, in hand carved and gilded ogee-shaped frames, with antique glass replacing the original.
Vintage large scale Hollywood Regency style Venetian wall mirror, inset within elegantly scalloped and etched beveled frame, decorated with rosettes, on ebonized wood base.
Guido Faleschin designed pair of linear wall mirrors with beveled glass inset within chrome frames, with beige toned glass panels to the top and bottoms.
A 1970’s Op Art mirror, with linear wood pieces arranged in equidistant right angles, affixed to the mirrored background, designed by Don Alguire for Copeland.
A large Venetian Style Vintage 1970's decorative wall mirror with a scrolling frame. The frame is composed of an aged mirror with gold inclusion detailing and was made in the United States.
Vintage 1960s wall mirror in the Hollywood Regency manner, scalloped mirrored panel frame
A rectangular shaped wall mirror from the 1970’s, rendered in the Brutalist style and composed of resin-cast geometric shapes in metallic tones.
Pop Art Diamond-Shaped Sculptural Wall Mirror. The mirror has a mix of circles and one square design, some are convex as well.
Based on the original designs by Jacques Adnet this is a round Adnet wall mirror. The frame and strap-work in faux brown leather, with brass buckles.
Silas Seandel Sculptural Wall Mirror in the Brutalist Style With Mixed Metal.
Acanthus leaves and a shell are carved into this mirror's gold leaf frame.
A vintage early 20th Century wall mirror, features a frame made of an array of animal horns and antlers, on to a wood base, with rope suspension.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A pair of Barcelona chairs dating from ca.1970.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Giacometti table lamps in a matte white finish.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Organic Modern inspired amethyst on stepped silver plate base.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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